"1923." [The following is the description by Professor J. Scott, F.R.S., of his recent Airship Journey across the old Bed of the North Sea. July 1, 1923.] It is perhaps unnecessary for me to state the objects and purpose of my journey of last week, as it would be false modesty in me not to recognise the great interest taken by the geologic and antiquarian worlds in my proposed enterprise. For... more...

This twelfth chapter is the watershed of the Gospel. The self-manifestation of Jesus to the world is now ended; and from this point onwards to the close we have to do with the results of that manifestation. He hides Himself from the unbelieving, and allows their unbelief full scope; while He makes further disclosures to the faithful few. The whole Gospel is a systematic and wonderfully artistic... more...

CHAPTER I THE HOME ON THE GREAT PLAIN Some like to be one thing, some another. There is so much to be done, so many different things to do, so many trades! Shepherds, soldiers, sailors, ploughmen, carters—one could go on all day naming without getting to the end of them. For myself, boy and man, I have been many things, working for a living, and sometimes doing things just for pleasure;... more...

ACT I (SCENE.—A large room looking upon a garden door in the left-hand wall, and two in the right. In the middle of the room, a round table with chairs set about it, and books, magazines and newspapers upon it. In the foreground on the left, a window, by which is a small sofa with a work-table in front of it. At the back the room opens into a conservatory rather smaller than the room. From the... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

I think, therefore I am. That was the first thought I had. Of course not in the same symbols, but with the same meaning. I awakened, or came alive, or came into existence suddenly, at least my mental consciousness did. "Here am I," I thought, "but what am I, why am I, where am I?" I had nothing to work with except pure reason. I was there because I was not somewhere else. I was certain... more...

ACT I. Scene: Within the tent of Menones, on the plain before Nineveh. Left, centre, entrance to tent from the plain. Curtains rear, forming partition with exits right and left of centre. The same at right, with one exit, centre. Couch rear, between exits. From a tent-pole near exit, right centre, hang helmet and a suit of chain armor. Sola parts curtains rear, left, and looks out, showing effort to... more...

BILL THE BLOODHOUND There's a divinity that shapes our ends. Consider the case of HenryPifield Rice, detective. I must explain Henry early, to avoid disappointment. If I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International... more...

PROLOGUE I 'Ah, what a thing it would be for us if his Inca Highness were really only asleep, as he looks to be! Just think what he could tell us—how easily he could re-create that lost wonderland of his for us, what riddles he could answer, what lies he could contradict. And then think of all the lost treasures that he could show us the way to. Upon my word, if Mephistopheles were to walk into... more...

SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy... more...