Some joker in the dear, dead days now virtually beyond recall won two-bit immortality by declaring that, "What this country needs is a good five-cent cigar." Which is, of course, Victorian malarkey. What this country really needs is a good five-cent nickel. Or perhaps a good cigar-shaped spaceship. There's a fortune waiting somewhere out in space for the man who can go out there and claim... more...

Sethos entered the park. Brown autumn leaves crumpled sharply beneath his feet, the green grass sank. The sun was nearly gone, and the last of the children passed him, chattering as they faded into the twilight. Only one other person remained in the park, and she was waiting for Sethos. "Ela," he said. "Have you been here long?" She touched his cheek with hers in greeting. "Not at... more...

I. The sun was just going down, a hissing globe of fire and torment. Already the lower limb was in contact with the jagged backbone of the mountain chain that rimmed the desert with purple and gold. Out on the barren, hard-baked flat in front of the corral, just where it had been unhitched when the paymaster and his safe were dumped soon after dawn, a weather-beaten ambulance was throwing unbroken a... more...

Introduction by Sam Moskowitz The year 1928 was a great year of discovery for AMAZING STORIES. They were uncovering new talent at such a great rate, (Harl Vincent, David H. Keller, E. E. Smith, Philip Francis Nowlan, Fletcher Pratt and Miles J. Breuer), that Jack Williamson barely managed to become one of a distinguished group of discoveries by stealing the cover of the December issue for his first... more...

PREFACE A preface to a play seems generally to be considered as a kind of closet-prologue, in which—if his piece has been successful—the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in representation (whose judgment in the theatre at least is decisive,) its degree of... more...

"You ought to buy it," said my host; "it's just the place for a solitary-minded devil like you. And it would be rather worth while to own the most romantic house in Brittany. The present people are dead broke, and it's going for a song—you ought to buy it." It was not with the least idea of living up to the character my friend Lanrivain ascribed to me (as a matter of fact,... more...

Jason dinAlt looked unhappily at the two stretchers as they were carried by. "Are they at it again?" he asked. Brucco nodded, the scowl permanently ingrained now on his hawklike face. "We have only one thing to be thankful for. That is—so far at least—they haven't used any weapons on each other." Jason looked down unbelievingly at the shredded clothing, crushed flesh and broken... more...

INTRODUCTION. Two of the dramas contained in this volume are the most celebrated of all Calderon's writings. The first, "La Vida es Sueno", has been translated into many languages and performed with success on almost every stage in Europe but that of England. So late as the winter of 1866-7, in a Russian version, it drew crowded houses to the great theatre of Moscow; while a few years... more...

INTRODUCTION BY HEYWOOD BROUN A good many of my radical friends express a certain kindly condescension when they speak of Edward Bellamy's "Looking Backward." "Of course you know," they say, "that it really isn't first-rate economics." And yet in further conversation I have known a very large number of these same somewhat scornful Socialists to admit, "You know,... more...

Chapter One. True Blue—A British Seaman of the Old School. The old Terrible, 74, was ploughing her way across the waters of the Atlantic, now rolling and leaping, dark and angry, with white-crested seas which dashed against her bows and flew in masses of foam over her decks. She was under her three topsails, closely reefed; but even thus her tall masts bent, and twisted, and writhed, as if striving... more...