PREFACE In beginning what, if it ever gets finished, must in all probability be the last of some already perhaps too numerous studies of literary history, I should like to point out that the plan of it is somewhat different from that of most, if not all, of its predecessors. I have usually gone on the principle (which I still think a sound one) that, in studying the literature of a country, or in... more...

In which the Hero makes his First Flash and Explosion. Somewhere about the middle of this nineteenth century, a baby boy was born on the raging sea in the midst of a howling tempest. That boy was the hero of this tale. He was cradled in squalls, and nourished in squalor—a week of dirty weather having converted the fore-cabin of the emigrant ship into something like a pig-sty. Appreciating the... more...

The book here included among The World's Classics made its first appearance as an octavo volume of xxiv + 352 pages, with the title- page: Characters of Shakespeare's Plays, By William Hazlitt. London:Printed by C. H. Reynell, 21 Piccadilly, 1817. William Hazlitt (1778-1830) came of an Irish Protestant stock, and of a branch of it transplanted in the reign of George I from the county of... more...

CHAPTER I. "Bless me, I do believe I have been asleep!" said a squirrel, one fine morning in early spring, when the delicious warmth of the sun had reached him in his winter retreat, and roused the lazy little fellow from a two months' nap. The truth is, that he and his family had fallen asleep at the first setting in of the cold weather, and had passed the dismal winter in a state of... more...

INTRODUCTION. I. The readers of my translation of the Book of the Thousand Nights and One Night will remember that, in the terminal essay (1884) on the history and character of the collection, I expressed my conviction that the eleven (so-called) "interpolated" tales, though, in my judgment, genuine Oriental stories, had (with the exception of the Sleeper Awakened and Aladdin) no connection... more...

FAITH AND PATIENCE. "I HAVE no faith in anything," said a poor doubter, who had trusted in human prudence, and been disappointed; who had endeavored to walk by the lumine of self-derived intelligence, instead of by the light of divine truth, and so lost his way in the world. He was fifty years old! What a sad confession for a man thus far on the journey of life. "No faith in anything."... more...

ACT I Scene 1 The scene represents the verandah of a fine country-house, in front of which a croquet-lawn and tennis-court are shown, also a flower-bed. The children are playing croquet with their governess. Mary Ivánovna Sarýntsova, a handsome elegant woman of forty; her sister, Alexándra Ivánovna Kóhovtseva, a stupid, determined woman of forty-five; and her husband, Peter Semyónovich , a fat... more...

Don Michaels twisted about uneasily for a moment, then looked toward the doors of the darkened auditorium. He shook his head, then returned his attention to the stage. Of course, he'd joined in the applause—a guy felt sort of idiotic, just sitting there while everyone else in the place made loud noises—but that comedy act had been pretty smelly. They should have groaned instead of applauding.... more...

SHAKSPEARE.[Endnote: 1] William Shakspeare, the protagonist on the great arena of modern poetry, and the glory of the human intellect, was born at Stratford-upon-Avon, in the county of Warwick, in the year 1564, and upon some day, not precisely ascertained, in the month of April. It is certain that he was baptized on the 25th; and from that fact, combined with some shadow of a tradition, Malone has... more...

ACT I SCENE I The palace of the king of burmah.  The scene is laid in the Hall of a Hundred Doors.  In the distance can be seen the moat, the waiting elephants, and the peacocks promenading proudly in the blinding sunshine of late afternoon.  The scene discovers king meng beng seated on a raised cushion sewn with rubies, under a canopy supported by four attendants, motionless as bronze figures.  By... more...