ACT I. Scene I.—ELSINORE. A Platform before the Castle. Night. Francisco on his post. Enter to him Bernardo, L.H. Ber. Who's there? Fran. (R.) Nay, answer me: stand, and unfold yourself. Ber. Long live the king! Fran. Bernardo? Ber. He. Fran. You come most carefully upon your hour. Ber. 'Tis now struck twelve; get thee to bed, Francisco. Fran. For this relief much thanks: [Crosses to L.]... more...

INTRODUCTION. Æschylus, the first of the great Grecian writers of tragedy, was born at Eleusis, in 525 B.C. He was the son of Euphorion, who was probably a wealthy owner of rich vineyards. The poet's early employment was to watch the grapes and protect them from the ravages of men and other animals, and it is said that this occupation led to the development of his dramatic genius. It is more easy... more...

THOMAS GODFREY, Jr. (1736-1763) Thomas Godfrey, Jr., was born in Philadelphia, on December 4, 1736, the son of a man who himself won fame as an inventor of the Quadrant. Godfrey, Senior, was a friend of Benjamin Franklin, the two probably having been drawn together by their common interest in science. When Godfrey, Senior, died, December, 1749, it was Franklin who wrote his obituary notice. Young... more...

MAJOR ROBERT ROGERS (1727-1795) Robert Rogers, a soldier of fortune, is the Davy Crockett of Colonial times. Born at Dumbarton, New Hampshire, on November 17th (some authorities say 1730, another 1731, while the Dictionary of National Biography says 1727), he was the son of James Rogers, a farmer living in a frontier cabin at Methuen, in upper Massachusetts. Robert's boyhood was spent in an... more...

ACT THE FIRST. SCENE I. A GOTHIC HALL. Enter Edric and Birtha. Bir.What may this mean? Earl Douglas has enjoin'd theeTo meet him here in private?Edr.Yes, my sister,And this injunction I have oft receiv'd;But when he comes, big with some painful secret,He starts, looks wild, then drops ambiguous hints,Frowns, hesitates, turns pale, and says 'twas nothing;Then feigns to smile, and by his... more...

ACTVS PRIMVS. Enter the GHOAST OF ANDREA, and with him REUENGE. GHOAST. When this eternall substance of my souleDid liue imprisond in my wanton flesh,Ech in their function seruing others need,I was a courtier in the Spanish court:My name was Don Andrea; my discent,Though not ignoble, yet inferiour farTo gratious fortunes of my tender youth,For there, in prime and pride of all my yeeres,By duteous... more...

ACT THE FIRST. SCENE I.BATTLEMENTS, WITH A SEA PROSPECT. Enter Zanga. Zan.Whether first nature, or long want of peace,Has wrought my mind to this, I cannot tell;But horrors now are not displeasing to me:[thunder.I like this rocking of the battlements.Rage on, ye winds; burst, clouds; and, waters, roar!You bear a just resemblance of my fortune,And suit the gloomy habit of my soul.Enter... more...

THE JEW OF MALTA. Enter MACHIAVEL. MACHIAVEL. Albeit the world think Machiavel is dead,Yet was his soul but flown beyond the Alps;And, now the Guise is dead, is come from France,To view this land, and frolic with his friends.To some perhaps my name is odious;But such as love me, guard me from their tongues,And let them know that I am Machiavel,And weigh not men, and therefore not men's... more...

THE PARTY ON SPECIAL NO. 218 Any one who hopes to find in what is here written a work of literature had better lay it aside unread. At Yale I should have got the sack in rhetoric and English composition, let alone other studies, had it not been for the fact that I played half-back on the team, and so the professors marked me away up above where I ought to have ranked. That was twelve years ago, but my... more...

PREFACE In the following pages I have attempted to trace certain developments in the theory of translation as it has been formulated by English writers. I have confined myself, of necessity, to such opinions as have been put into words, and avoided making use of deductions from practice other than a few obvious and generally accepted conclusions. The procedure involves, of course, the omission of some... more...