ACT I. SCENE I.—DONNA ELVIRA, ELIZA. ELVIRA. No, the hidden feelings of my heart were not regulated by choice: whatever the Prince may be, there is nothing in him to make me prefer his love. Don Silvio shows, as well as he, all the qualities of a renowned hero. The same noble virtues and the same high birth made me hesitate whom to prefer. If aught but merit could gain my heart, the conqueror were... more...

Although the Masquerade itself, as a necessary protection against non-telepaths, was not fully formulated until the late years of the Seventeenth Century, groups of telepaths-in-hiding existed long before that date. Whether such groups were the results of natural mutations, or whether they came into being due to some other cause, has not yet been fully determined, but that a group did exist in the... more...

FROM THE UPLAND TO THE SEAShall we wake one morn of spring,Glad at heart of everything,Yet pensive with the thought of eve?Then the white house shall we leave.Pass the wind-flowers and the bays,Through the garth, and go our ways,Wandering down among the meadsTill our very joyance needsRest at last; till we shall comeTo that Sun-god's lonely home,Lonely on the hillside grey,Whence the sheep have... more...

CHAPTER I LONDON IN THE 'EIGHTIES The few recollections of William Forster that I have put together in the preceding volume lead naturally, perhaps, to some account of my friendship and working relations at this time with Forster's most formidable critic in the political press—Mr. John Morley, now Lord Morley. It was in the late 'seventies, I think, that I first saw Mr. Morley. I sat... more...

THE 'Contrast' was the first American play ever performed in public by a company of professional actors. Several plays by native authors had been previously published, the more noteworthy being the 'Prince of Parthia,' a tragedy by Thomas Godfrey of Philadelphia, which was probably written, and was offered to Hallam's company in 1759 (but not produced), and was printed in 1765,... more...

CHAPTER IA FAREWELL BANQUET "D'Aumont!" "Eh? d'Aumont!" The voice, that of a man still in the prime of life, but already raucous in its tone, thickened through constant mirthless laughter, rendered querulous too from long vigils kept at the shrine of pleasure, rose above the incessant babel of women's chatter, the din of silver, china and glasses passing to and fro.... more...

There has recently been a most interesting discussion at the Literary and Philosophical Society, Manchester, on the above subject. The paper which gave rise to the discussion was by Mr. Brockbank, who detailed many experiments, and ended by stating his opinion that iron does become much weaker, both in its cast and wrought states, under the influence of low temperature; but Mr. Brockbank's paper... more...

CHAPTER I Stanbury Hill, remote but two hours' walk from a region blasted with mine and factory and furnace, shelters with its western slope a fair green valley, a land of meadows and orchard, untouched by poisonous breath. At its foot lies the village of Wanley. The opposite side of the hollow is clad with native wood, skirting for more than a mile the bank of a shallow stream, a tributary of the... more...

INTRODUCTION Richard Sherry’s A Treatise of Schemes and Tropes (1550), a familiar work of the Renaissance, is primarily thought of as a sixteenth-century English textbook on the figures. Yet it is also a mirror of one variation of rhetoric which came to be called the rhetoric of style. As a representative of this stylistic school, it offers little that is new to the third part of classical rhetoric.... more...

The river ran still and deep, green and gray in the eddies with the warm smell of late summer rising out of the slow water. Madrone and birch and willow, limp in the evening quiet, and the taste of smouldering leaves.... It wasn’t the Russian River. It was the Sacred Iss. The sun had touched the gem-encrusted cliffs by the shores of the Lost Sea of Korus and had vanished, leaving only the stillness... more...