The novel Alan sanded the house on Wales Avenue. It took six months, and the whole time it was the smell of the sawdust, ancient and sweet, and the reek of chemical stripper and the damp smell of rusting steel wool. Alan took possession of the house on January 1, and paid for it in full by means of an e-gold transfer. He had to do a fair bit of hand-holding with the realtor to get her set up and... more...

For a moment, after the screen door snapped and wakened him, Lee Richardson sat breathless and motionless, his eyes still closed, trying desperately to cling to the dream and print it upon his conscious memory before it faded. "Are you there, Lee?" he heard Alexis Pitov's voice. "Yes, I'm here. What time is it?" he asked, and then added, "I fell asleep. I was... more...

PREFACE. The two dramas,—PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP. This is written in rhyme, and in nine-syllable verse, in the same lilting metre (if that expression may be permitted), with the second Eclogue of Spenser's Shepherd's Calendar. This prelude... more...

PAUL Bunyan is the hero of lumbercamp whoppers that have been handed down for generations. These stories, never heard outside the haunts of the lumberjack until recent years, are now being collected by learned educators and literary authorities who declare that Paul Bunyan is "the only American myth." The best authorities never recounted Paul Bunyan's exploits in narrative form. They made... more...

CHAPTER I. The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting. As the landscape changed from brown to green, the army awakened, and began to tremble with eagerness at the noise of rumors. It cast its eyes upon the roads, which were growing from long troughs of liquid mud to proper thoroughfares. A river, amber-tinted in the shadow of... more...

PREFACE Never shall I forget the moment when for the last time I gazed upon the manly features of Charles Kingsley, features which Death had rendered calm, grand, sublime.  The constant struggle that in life seemed to allow no rest to his expression, the spirit, like a caged lion, shaking the bars of his prison, the mind striving for utterance, the soul wearying for loving response,—all that was... more...

INTRODUCTION. A friend of M. de Marigny (the brother of Madame de Pompadour) called on him one day and found him burning papers. Taking up a large packet which he was going to throw into the fire "This," said he, "is the journal of a waiting-woman of my sister's. She was a very estimable person, but it is all gossip; to the fire with it!" He stopped, and added, "Don't you... more...

CHAPTER I THE EXPLANATION OF MATERIAL CHANGES GIVEN BY THE GREEK THINKERS. For thousands of years before men had any accurate and exact knowledge of the changes of material things, they had thought about these changes, regarded them as revelations of spiritual truths, built on them theories of things in heaven and earth (and a good many things in neither), and used them in manufactures, arts, and... more...

ACT I SCENE I Front room on ground floor at 126 Redcliffe Gardens. An apartment furnished richly but in an old-fashioned way. Fine pictures. Large furniture. Sofa near centre. General air of neglect and dustiness. Carpet half-laid. Trunks and bags lying about in corners, some opened. Men's wearing apparel exposed. Mantelpiece, R., in disorder. At back double doors (ajar) leading to another room.... more...

ELIZA'S HUSBAND "Suppose," I said to one of the junior clerks at our office the other day, "you were asked to describe yourself in a few words, could you do it?" His answer that he could describe me in two was no answer at all. Also the two words were not a description, and were so offensive that I did not continue the conversation. I believe there are but few people who could give... more...