CHAPTER I. “GOOD-BYE” TO THE OLD LIFE. “Me want to see Hetty,” said an imperious baby voice. “No, no; not this morning, Miss Nan, dear.” “Me do want to see Hetty,” was the quick, impatient reply. And a sturdy indignant little face looked up at Nurse, to watch the effect of the last decisive words. Finding no affirmative reply on Nurse’s placid face, the small lips closed firmly—two... more...

This is the day of the small book. There is much to be done. Time is short. Information is earnestly desired, but it is wanted in compact form, confined directly to the subject in view, authenticated by real knowledge, and, withal, gracefully delivered. It is to fulfill these conditions that the present series has been projected—to lend real assistance to those who are looking about for new tools and... more...

Chapter I The Mysterious Patient   As I look back through the years of my association with John Thorndyke, I am able to recall a wealth of adventures and strange experiences such as falls to the lot of very few men who pass their lives within hearing of Big Ben. Many of these experiences I have already placed on record; but it now occurs to me that I have hitherto left unrecorded one that is, perhaps,... more...

CHAPTER I Elijah Rasba lived alone in a log cabin on Temple Run. He was a long, lank, blue-eyed young man, with curly brown hair and a pale, almost livid complexion. His eye-brows were heavy and dark brown, and the blue steel of his gaze was fixed unwaveringly upon any object that it distinguished. Two generations before, Old Abe Rasba had built a church on a little brook, a tributary of Jackson River,... more...

I. ON MICHELANGELO'S CHARACTER AS AN ARTIST. Michelangelo's place in the world of art is altogether unique. His supremacy is acknowledged by all, but is understood by a few only. In the presence of his works none can stand unimpressed, yet few dare to claim any intimate knowledge of his art. The quality so vividly described in the Italian word terribilità is his predominant trait. He is one... more...

CHAPTER I. BEN'S INHERITANCE. "I've settled up your father's estate, Benjamin," said Job Stanton. "You'll find it all figgered out on this piece of paper. There was that two-acre piece up at Rockville brought seventy-five dollars, the medder fetched a hundred and fifty, the two cows—" "How much does it all come to, Uncle Job?" interrupted Ben, who was... more...

Schalken the Painter "For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me." There exists, at this moment, in good preservation a remarkable work of Schalken's. The curious management of its lights constitutes, as usual in his pieces, the chief... more...

PREFACE. By prescription, which often has the force of law, a book should have both a Preface and an Introduction: the first relating to the writer; the second to the things written. I may well dispense with the latter, for what is here written the humblest capacity can understand; and it would be cruel to detain him long on the porch who is anxious to enter the building. But, dear reader, a word with... more...

Dale V. Lawrence needed a lawyer urgently. Not that he hadn't a score of legal minds at his disposal; a corporation president must maintain a sizable legal staff. You can't build an industrial empire without treading on people's toes. And you need lawyers when you tread. He sat behind his massive mahogany desk, a stocky, slightly-balding, stern-looking man of middle age who was... more...

: My fellow citizens: I stand here today humbled by the task before us, grateful for the trust you have bestowed, mindful of the sacrifices borne by our ancestors. I thank President Bush for his service to our nation, as well as the generosity and cooperation he has shown throughout this transition. Forty-four Americans have now taken the presidential oath. The words have been spoken during rising... more...