INTRODUCTORY NOTE. In order to read the Gospel of St. John with some intelligence, it is necessary to understand its purpose and its plan. For in the whole range of literature there is no composition which is a more perfect work of art, or which more rigidly excludes whatever does not subserve its main end. From the first word to the last there is no paragraph, sentence, or expression which is out of... more...

The mystery of love is greater than the mystery of death. Women are made to be loved, not to be understood. It is absurd to have a hard and fast rule about what one should read and what one shouldn't. Moren than half of modern culture depends on what one shouldn't read. Women, as someone says, love with their ears, just as men love with their eyes, if they ever love at all. It is better to be... more...

THE GAY LORD QUEX THE FIRST ACT The scene represents a manicure establishment in New Bond Street. It is a front room upon the first floor, with three french-windows affording a view of certain buildings on the east side of the street. On the left, furthest from the spectator, is a wide, arched opening, apparently leading to another apartment, in which is the door giving entrance to the rooms from the... more...

ACT I (SCENE.—A large room looking upon a garden door in the left-hand wall, and two in the right. In the middle of the room, a round table with chairs set about it, and books, magazines and newspapers upon it. In the foreground on the left, a window, by which is a small sofa with a work-table in front of it. At the back the room opens into a conservatory rather smaller than the room. From the... more...

CHAPTER I. THE LOVER'S TRYST. It was five o'clock on a raw, gusty February afternoon. All that day and all the night before it had been snowing hard. New York lay buried beneath over two feet of its cold white mantle, and with the gathering dusk a fierce hurricane set in, proclaiming the approach of the terrible blizzard which had been predicted. On this afternoon, which was destined to be so... more...

THE WOMAN FROM OUTSIDE CHAPTER I THE WHITE MEDICINE MAN On a January afternoon, as darkness was beginning to gather, the “gang” sat around the stove in the Company store at Fort Enterprise discussing that inexhaustible question, the probable arrival of the mail. The big lofty store, with its glass front, its electric lights, its stock of expensive goods set forth on varnished shelves, suggested a... more...

CLYDE FITCH (1865-1909) Clyde Fitch brought a vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human... more...

I think, therefore I am. That was the first thought I had. Of course not in the same symbols, but with the same meaning. I awakened, or came alive, or came into existence suddenly, at least my mental consciousness did. "Here am I," I thought, "but what am I, why am I, where am I?" I had nothing to work with except pure reason. I was there because I was not somewhere else. I was certain... more...

Actus primus. Scena prima. Enter Uncle and Merchant. Merc. When saw you Valentine? Uncle. Not since the Horse-race, he's taken up with those that woo the Widow. Mer. How can he live by snatches from such people? he bore a worthy mind. Uncle. Alas, he's sunk, his means are gone, he wants, and which is worse,Takes a delight in doing so. Mer. That's strange. Unc. Runs Lunatick, if you but... more...

Chapter I THE MAGNET ATTRACTING: A WIFE AMID FORCES When Caroline Meeber boarded the afternoon train for Chicago, her total outfit consisted of a small trunk, a cheap imitation alligator-skin satchel, a small lunch in a paper box, and a yellow leather snap purse, containing her ticket, a scrap of paper with her sister's address in Van Buren Street, and four dollar in money. It was in August, 1889.... more...