Chapter I THE MAN WHO FEARED SLEEP Peter Brooks felt himself for a man given up. He had felt his physical unfitness for some time in the silent, condemning judgment masked under the too sympathetic gaze of his fellow-men; he had felt it in the over-solicitous inquiries after his health made by the staff; and there was his chief, who had fallen into the comfortable week-end habit of telling him he... more...

INTRODUCTIONS. I. Never introduce persons to each other without a knowledge that it will be agreeable to both parties; this may sometimes be ascertained without a formal question: very great intimacy with and knowledge of each party may be a sufficient assurance that the introduction will be agreeable. The inferior should always be introduced to the superior—ladies take precedence of gentlemen; you... more...

CHAPTER I. ONE IN SEARCH OF A KINGDOM Why Gaston Belward left the wholesome North to journey afar, Jacques Brillon asked often in the brawling streets of New York, and oftener in the fog of London as they made ready to ride to Ridley Court. There was a railway station two miles from the Court, but Belward had had enough of railways. He had brought his own horse Saracen, and Jacques's broncho also,... more...

INTRODUCTORY NOTE The age of Elizabeth, memorable for so many reasons in the history of England, was especially brilliant in literature, and, within literature, in the drama. With some falling off in spontaneity, the impulse to great dramatic production lasted till the Long Parliament closed the theaters in 1642; and when they were reopened at the Restoration, in 1660, the stage only too faithfully... more...

INTRODUCTION The group of stories brought together in this volume differ from legends because they have, with one exception, no core of fact at the centre, from myths because they make no attempt to personify or explain the forces or processes of nature, from fairy stories because they do not often bring on to the stage actors of a different nature from ours. They give full play to the fancy as in... more...

CHAPTER I.                "The knight of arts and industry,               And his achievements fair."     THOMSON'S Castle of Indolence: Explanatory Verse to Canto II. In a popular and respectable, but not very fashionable quartier in Paris, and in the tolerably broad and effective locale of the Rue ——, there might be seen, at the time I now treat of,... more...

PART I. SCENE.—A Court of Justice. Usher, Clerk of the Court, Mr. Hungary, Q.C., and others.  Mr. La-di-da, the prisoner, not in the dock, but seated in a chair before it.  [Enter Mr. Justice Nupkins. Usher.  Silence!—silence! Mr. Justice Nupkins.  Prisoner at the bar, you have been found guilty by a jury, after a very long and careful consideration of your remarkable and strange case, of a... more...

CHAPTER I. EARLY CIRCUMNAVIGATIONS, OR VOYAGES ROUND THE WORLD. INTRODUCTION. In this fourth book of the second part of our arrangement, it is proposed to give a history of the principal Circumnavigations, or Voyages Round the World, previous to the reign of our present venerable sovereign. This book, therefore, comprises a period of 226 years, from the year 1519, when Magellan sailed from Spain on the... more...

CHAPTER I "Marry Mr. Bulmer! That horrid old man! Uncle, what are you saying?" The girl sprang to her feet as if she were some timid creature of the wild aroused from sylvan broodings by knowledge of imminent danger. In her terror, she upset the three wineglasses that formed part of the display beside each couvert on the luncheon table. One, rose-tinted and ornate, crashed to the floor, and the... more...

TO HIS LOVING FRIEND THE AUTHOR, UPON HIS TRAGEDY "THE REBELLION."To praise thee, friend, and show the reason why,Issues from honest love, not flattery.My will is not to flatter, nor for spiteTo praise or dispraise, but to do thee rightProud daring rebels in their impious wayOf Machiavellian darkness this thy playExactly shows; speaks thee truth's satirist,Rebellion's foe, time's... more...