CHAPTER I PRODUCTION AND CREATIVE EFFORT As a human experience, the act of creating, the process of fabricating wealth, has been at different times as worthy of celebration as the possession of it. Before business enterprise and machine production discredited handwork, art for art's sake, work for the love of work, were conceivable human emotions. But to-day, a Cezanne who paints pictures and... more...

INTRODUCTION The history of the evolution of life, incomplete as it yet is, already reveals to us how the intellect has been formed, by an uninterrupted progress, along a line which ascends through the vertebrate series up to man. It shows us in the faculty of understanding an appendage of the faculty of acting, a more and more precise, more and more complex and supple adaptation of the consciousness... more...

I THREE PERIODS OF PROGRESS The story of Robinson Crusoe is an allegory of human history. Man is a castaway upon a desert planet, isolated from other inhabited worlds—if there be any such—by millions of miles of untraversable space. He is absolutely dependent upon his own exertions, for this world of his, as Wells says, has no imports except meteorites and no exports of any kind. Man has no wrecked... more...

CHAPTER I. INTRODUCTORY Among the recollections that are lifelong, I have one as vivid as ever after more than twenty-five years have elapsed; it is of an evening lecture—the first of a series—given at South Kensington to working men. The lecturer was Professor Huxley; his subject, the Common Lobster. All the apparatus used was a good-sized specimen of the creature itself, a penknife, and a... more...

CREATING CAPITAL MONEY-MAKING AS AN AIM IN BUSINESS The object of this paper is to discuss money-making; to examine its prevalence as an aim among people generally and the moral standards which obtain among those who consciously seek to make money. The desire to make money is common to most men. Stronger or weaker, in some degree it is present in the mind of nearly every one. Now, how far does this... more...

PREFACE. In issuing this second treatise on Crayon Portraiture, Liquid Water Colors and French Crystals, for the use of photographers and amateur artists, I do so with the hope and assurance that all the requirements in the way of instruction for making crayon portraits on photographic enlargements and for finishing photographs in color will be fully met. To these I have added complete instructions for... more...

The Plan of the Book. In the preparation of this book the author has had two great plans in mind: To prepare a work which will enable any person, who can speak to a class or an audience, to give a helpful, inspiring illustrated talk; to place in the hands of parents everywhere a book to enable them to teach the children a simple, fascinating method of drawing and, at the same time make the great truths... more...

INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

Title PageillustrationThe kisses of an enemy are deceitful, but not as deceitful as the advice of the friend who is always counseling you for your own good.illustrationThe best and the worst in man respond only to woman’s touch—unfortunately for man.illustrationMen reason; women do not. Woman has no logic, and judging from the use it is to man, is better off without it.illustrationThe present... more...