DRYDEN ON SHAKSPERE. "Dryden may be properly considered as the father of English criticism, as the writer who first taught us to determine upon principles the merit of composition."—Samuel Johnson. No one of the early prose testimonies to the genius of Shakspere has been more admired than that which bears the signature of John Dryden. I must transcribe it, accessible as it is elsewhere, for... more...

The Dog. hatever may be thought of the somewhat aristocratic pretensions of the lion, as the dog, after all, has the reputation of being the most intelligent of the inferior animals, I will allow this interesting family the precedence in these stories, and introduce them first to the reader. For the same reason, too—because they exhibit such wonderful marks of intelligence, approaching, sometimes,... more...

BEETHOVEN'S LETTERS. 216.TO STEINER & CO. The Adjutant's innocence is admitted, and there is an end of it! We beg you to be so good as to send us two copies in score of the Symphony in A. We likewise wish to know when we may expect a copy of the Sonata for Baroness von Ertmann, as she leaves this, most probably, the day after to-morrow. No. 3--I mean the enclosed note--is from a musical... more...

I.The Voyage of the Hampshire. Voyage to Australia has in these days become so ordinary an affair that it may seem to require an apology to attempt to describe one, but a voyage in a sailing ship is so different from that in a steamer that it may interest some people. It is, as a rule, only those who go abroad for their health who prefer a sailing ship, on account of the great length of the voyage, in... more...

CHAPTER I. When Death is present in a household on a Christmas Day, the very contrast between the time as it now is, and the day as it has often been, gives a poignancy to sorrow—a more utter blankness to the desolation.  James Leigh died just as the far-away bells of Rochdale Church were ringing for morning service on Christmas Day, 1836.  A few minutes before his death, he opened his already... more...

CHAPTER I To know George Washington, we must first of all understand the society in which he was born and brought up. As certain lilies draw their colors from the subtle qualities of the soil hidden beneath the water upon which they float, so are men profoundly affected by the obscure and insensible influences which surround their childhood and youth. The art of the chemist may discover perhaps the... more...

Chapter I. The beginning of things. They were not railway children to begin with. I don't suppose they had ever thought about railways except as a means of getting to Maskelyne and Cook's, the Pantomime, Zoological Gardens, and Madame Tussaud's. They were just ordinary suburban children, and they lived with their Father and Mother in an ordinary red-brick-fronted villa, with coloured... more...

I and my chimney, two grey-headed old smokers, reside in the country. We are, I may say, old settlers here; particularly my old chimney, which settles more and more every day. Though I always say, I AND MY CHIMNEY, as Cardinal Wolsey used to say, "I AND MY KING," yet this egotistic way of speaking, wherein I take precedence of my chimney, is hereby borne out by the facts; in everything, except... more...

CHAPTER I. Charolois and Branchimont ALTHOUGH the deepest shades of twilight had descended upon the broad bosom of the valley, and the river might almost be recognised only by its rushing sound, the walls and battlements of the castle of Charolois, situate on one of the loftiest heights, still blazed in the reflected radiance of the setting sun, and cast, as it were, a glance of triumph at the opposing... more...

HONOR The French expression, a "man of the theater," is best exemplified in the person of the German dramatist Hermann Sudermann. The term is intended to convey the idea of a playwright who is interesting and effective, one who is, in short, master of his trade. The author of "Die Ehre," which is here presented for the first time to English readers, was for many years a man of the... more...