DUKE OF GUISE. A TRAGEDY. Ουτως δε φιλοτιμοι φυσεις εν ταις πολιτειαις το αγαν μη φυλαξαμεναι, τωιαγαθου μειζον το κακον εχουσι. Plutarch. in Agesilao.003In the latter part of Charles the Second's reign, the stage, as well as every other engine which could affect the popular mind, was eagerly employed in the... more...

LIMBERHAM. The extreme indelicacy of this play would, in the present times furnish ample and most just grounds for the unfavourable reception it met with from the public. But in the reign of Charles II. many plays were applauded, in which the painting is, at least, as coarse as that of Dryden. "Bellamira, or the Mistress," a gross translation by Sir Charles Sedley of Terence's... more...

AMBOYNA. The tragedy of Amboyna, as it was justly termed by the English of the seventeenth century, was of itself too dreadful to be heightened by the mimic horrors of the stage. The reader may be reminded, that by three several treaties in the years 1613, 1615, and 1619, it was agreed betwixt England and Holland, that the English should enjoy one-third of the trade of the spice islands. For this... more...

THE CONQUEST OF GRANADA. This play,—for the two parts only constitute an entire drama betwixt them,—seems to have been a favourite with Dryden, as well as with the public. In the Essay upon Heroic Plays, as well as in the dedication, the character of Almanzor is dwelt upon with that degree of complacency which an author experiences in analyzing a successful effort of his genius. Unquestionably the... more...

SCENE.—London. ACT I. SCENE I.—FAILER entering to BURR, who is putting on his buff-coat. Fail. What! not ready yet, man? Burr. You do not consider my voyage from Holland last night. Fail. Pish, a mere ferry; get up, get up: My cousin's maids will come and blanket thee anon; art thou not ashamed to lie a-bed so long? Burr. I may be more ashamed to rise; and so you'll say, dear heart, if... more...

THE FIRST BOOK OF THE ODES OF HORACE. ODE I. TO MAECENAS. Maecenas, descended from royal ancestors, O both my protection and my darling honor! There are those whom it delights to have collected Olympic dust in the chariot race; and [whom] the goal nicely avoided by the glowing wheels, and the noble palm, exalts, lords of the earth, to the gods. This man, if a crowd of the capricious Quirites strive to... more...

PROLOGUE, SPOKEN BY MR JONES Too long the Tragick Muse hath aw'd the stage,And frighten'd wives and children with her rage,Too long Drawcansir roars, Parthenope weeps,While ev'ry lady cries, and critick sleepsWith ghosts, rapes, murders, tender hearts they wound,Or else, like thunder, terrify with soundWhen the skill'd actress to her weeping eyes,With artful sigh, the handkerchief... more...

OF "THE NOVEL"  do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general. I am not the only writer who finds himself taken to task in the same terms each time he brings out a new... more...

Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles. It was an old and sordid building; the walls were crumbling to pieces, the grated, iron... more...

"After all," Count d'Avorsy said, stirring his tea with the slow movements of a prelate, "what truth was there in anything that was said at Court, almost without any restraint, and did the Empress, whose beauty has been ruined by some secret grief, who will no longer see anyone and who soothes her continual mental weariness by some journeys without an object and without a rest, in... more...