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ADVERTISEMENT. What I have here to say is rather in the nature of an apology than of a preface or advertisement. The very title of a Treatise upon the art of dancing by a dancing-master, implicitly threatens so much either of the exageration of the profession, or of the recommendation of himself, and most probably of both, that it cannot be improper for me to bespeak the reader’s favorable precaution... more...

FOREWORD Time, though a good Collector, is not always a reliable Historian. That is to say, that although nothing of interest or importance is lost, yet an affair may be occasionally invested with a glamour that is not wholly its own. I venture to think that Piracy has fortuned in this particular. We are apt to base our ideas of Piracy on the somewhat vague ambitions of our childhood; and I suppose,... more...

PREFACE EXPERIMENTAL work in physical science rests ultimately upon the mechanical arts. It is true that in a well-appointed laboratory, where apparatus is collected together in greater or less profusion, the appeal is often very indirect, and to a student carrying out a set experiment with apparatus provided to his hand, the temptation to ignore the mechanical basis of his work is often irresistible.... more...

CHAPTER THE FIRST You are here invited to read the story of an Event which occurred in an out-of-the-way corner of England, some years since. The persons principally concerned in the Event are:—a blind girl; two (twin) brothers; a skilled surgeon; and a curious foreign woman. I am the curious foreign woman. And I take it on myself—for reasons which will presently appear—to tell the story. So far... more...

CHAPTER I he scene was an actress's dressing-room at the Odéon. Félicie Nanteuil, her hair powdered, with blue on her eyelids, rouge on her cheeks and ears, and white on her neck and shoulders, was holding out her foot to Madame Michon, the dresser, who was fitting on a pair of little black slippers with red heels. Dr. Trublet, the physician attached to the theatre, and a friend of the... more...

INTRODUCTION. The origin of painting is unknown. The first important records of this art are met with in Egypt; but before the Egyptian civilization the men of the early ages probably used color in ornamentation and decoration, and they certainly scratched the outlines of men and animals upon bone and slate. Traces of this rude primitive work still remain to us on the pottery, weapons, and stone... more...

HISTORICAL SKETCH. The earliest notice of Britain is in Herodotus ( 480-408); but he mentions the Tin Islands (Scilly Islands and Cornwall), only to confess his ignorance about them. More important is a passage in Aristotle ( 384-322), who (writing a century later) is the earliest author who mentions the British Isles by name, as he does in the following passage: "Beyond the Pillars of Hercules... more...

CHAPTER I AN INTELLIGENT PRESCRIPTION The man in the silk-lined, London-made overcoat, holding his hat firmly on his head lest the January wind send its expensive perfection into the gutter, paused to ask his way of the man with no overcoat, his hands shoved into his ragged pockets, his shapeless headgear crowded down over his eyes, red and bleary with the piercing wind. "Burns?" repeated the... more...

CHAPTER 1. Amory, Son of Beatrice Amory Blaine inherited from his mother every trait, except the stray inexpressible few, that made him worth while. His father, an ineffectual, inarticulate man with a taste for Byron and a habit of drowsing over the Encyclopedia Britannica, grew wealthy at thirty through the death of two elder brothers, successful Chicago brokers, and in the first flush of feeling that... more...

A FAIR PENITENT Charles Pineau Duclos was a French writer of biographies and novels, who lived and worked during the first half of the eighteenth century. He prospered sufficiently well, as a literary man, to be made secretary to the French Academy, and to be allowed to succeed Voltaire in the office of historiographer of France. He has left behind him, in his own country, the reputation of a lively... more...