TO ALL SVCH AS HAVE receiued either pleasure or profite by the two former published bookes of this Argument: And to all beside, that desire to know the wonderfull slie deuises of this hellish crew of Conny-catchers. [Illustration: I] In the time of king Henrie the fourth, as our English Chronicles haue kept in remembrance, liued diuerse sturdie and loose companions in sundrie places about the Citie of... more...

"Beep!" said the radio smugly. "Beep! Beep! Beep!" "There's one," said the man at the pickup controls of tugship 431. He checked the numbers on the various dials of his instruments. Then he carefully marked down in his log book the facts that the radio finder was radiating its beep on such-and-such a frequency and that that frequency and that rate-of-beep indicated that the... more...

PREFACE This volume, "Therese Raquin," was Zola's third book, but it was the one that first gave him notoriety, and made him somebody, as the saying goes. While still a clerk at Hachette's at eight pounds a month, engaged in checking and perusing advertisements and press notices, he had already in 1864 published the first series of "Les Contes a Ninon"—a reprint of short... more...

I The beginning of this strange adventure was my going to see a motion picture which had been made in Germany. It was three years after the end of the war, and you'd have thought that the people of Western City would have got over their war-phobias. But apparently they hadn't; anyway, there was a mob to keep anyone from getting into the theatre, and all the other mobs started from that.... more...

"The Perzils are giving a vilbar party tomorrow night," Professor Slood said cajolingly. "You will come this time, won't you, Narli?" Narli Gzann rubbed his forehead fretfully. "You know how I feel about parties, Karn." He took a frismil nut out of the tray on his desk and nibbled it in annoyance. "But this is in your honor, Narli—a farewell party. You must go. It... more...

A Peep at Tolcarne. “Ed—Ward!” “Yes, mum.” A stiff, high-shouldered footman turned round as he reached the breakfast-room door. “Are you sure Sir Hampton has been called?” “Yes, mum.” “And did Smith take up her ladyship’s hot water?” “Yes, mum.” “Are the young ladies coming down?” “They went out for a walk nearly an hour ago, mum.” “Dear me! and such a damp... more...

Out of Paradise f I must tell more tales of Raffles, I can but go back to our earliest days together, and fill in the blanks left by discretion in existing annals. In so doing I may indeed fill some small part of an infinitely greater blank, across which you may conceive me to have stretched my canvas for the first frank portrait of my friend. The whole truth cannot harm him now. I shall paint in every... more...

I "YORK FACTORY, HUDSON'S BAY,"23rd September, 1747. "MY DEAR COUSIN FANNY,—It was a year last April Fool's Day, I left you on the sands there at Mablethorpe, no more than a stone's throw from the Book-in-Hand Inn, swearing that you should never see me or hear from me again. You remember how we saw the coast-guards flash their lights here and there, as they searched the... more...

INTRODUCTION. Major W.C. Penn, the author of the following treatise on the modern dance, has requested the writer to pen a few thoughts introductory to a theme he has presented with such pith and power to listening thousands in his travels as an Evangelist. Various inquiries have been made as to how Major Penn, a lawyer in a lucrative practice, and with all the attractions of wealth and of fame before... more...

THE NECESSITY OF THE STUDY OF PERSPECTIVE TO PAINTERS, SCULPTORS, AND ARCHITECTS Leonardo da Vinci tells us in his celebrated Treatise on Painting that the young artist should first of all learn perspective, that is to say, he should first of all learn that he has to depict on a flat surface objects which are in relief or distant one from the other; for this is the simple art of painting. Objects... more...