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Aeschylus
_INTRODUCTORY NOTE Of the life of Aeschylus, the first of the three great masters of Greek tragedy, only a very meager outline has come down to us. He was born at Eleusis, near Athens, B. C. 525, the son of Euphorion. Before he was twenty-five he began to compete for the tragic prize, but did not win a victory for twelve years. He spent two periods of years in Sicily, where he died in 456, killed, it...
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George Gissing
THE WORK OF GEORGE GISSING AN INTRODUCTORY SURVEY 'Les gens tout ÐÑ fait heureux, forts et bien portants, sont-ils préparés comme il faut pour comprendre, pénétrer, exprimer la vie, notre vie si tourmentée et si courte?' MAUPASSANT. In England during the sixties and seventies of last century the world of books was dominated by one Gargantuan type of fiction. The terms book and...
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Conrad Aiken
PART I. I. The sun goes down in a cold pale flare of light.The trees grow dark: the shadows lean to the east:And lights wink out through the windows, one by one.A clamor of frosty sirens mourns at the night.Pale slate-grey clouds whirl up from the sunken sun. And the wandering one, the inquisitive dreamer of dreams,The eternal asker of answers, stands in the street,And lifts his palms for the first...
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CHAPTER ONE Harriet Blair was seventeen when she went with her father and mother and her brother Austen to New Orleans, to the marriage of an older brother, Alexander, the father’s business representative at that place. It was characteristic of the Blairs that they declined the hospitality of the bride’s family, and from the hotel attended, punctiliously and formally, the occasions for which they...
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INTRODUCTORY SONNET A Sonnet is a moment's monument,— Memorial from the Soul's eternity To one dead deathless hour. Look that it be, Whether for lustral rite or dire portent, Of its own arduous fulness reverent: Carve it in ivory or in ebony, As Day or Night may rule; and let Time see Its flowering crest impearled and orient. A Sonnet is a coin: its face...
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I. MY GRANDMOTHER AND I. My grandmother sat in her own particular easy-chair by the open window of her back parlor. This was a pleasant place in which to sit in the afternoon, for the sun was then on the other side of the house, and she could look not only over the smooth grass of the side yard and the flower beds, which were under her especial care, but across the corner of the front lawn into the...
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Will Irwin
THE HOUSE OF MYSTERY I THE UNKNOWN GIRL In a Boston and Albany parlor-car, east bound through the Berkshires, sat a young man respectfully, but intently studying a young woman. Now and then, from the newspapers heaped in mannish confusion about his chair, he selected another sheet. Always, he took advantage of this opportunity to face the chair across the aisle and to sweep a glance over a piquant...
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Jack London
THE HOUSE OF PRIDE Percival Ford wondered why he had come. He did not dance. He did not care much for army people. Yet he knew them all—gliding and revolving there on the broad lanai of the Seaside, the officers in their fresh-starched uniforms of white, the civilians in white and black, and the women bare of shoulders and arms. After two years in Honolulu the Twentieth was departing to its...
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Henry Van Dyke
ACT I SCENE I Night, in the garden of NAAMAN at Damascus. At the left, on a slightly raised terrace, the palace, with softly gleaming lights and music coming from the open latticed windows. The garden is full of oleanders, roses, pomegranates, abundance of crimson flowers; the air is heavy with their fragrance: a fountain at the right is plashing gently: behind it is an arbour covered with vines. Near...
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Arthur Machen
Introduction It was somewhere, I think, towards the autumn of the year 1889 that the thought occurred to me that I might perhaps try to write a little in the modern way. For, hitherto, I had been, as it were, wearing costume in literature. The rich, figured English of the earlier part of the seventeenth century had always had a peculiar attraction for me. I accustomed myself to write in it, to think in...
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