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William F. Kirk
"YIM" Dar ban a little faller, Ay tenk his name ban Yim,And nearly every morning Ay used to seeing him.He used to stand in gatevay, And call me Svede, and ayAnt lak to hear dis nickname: Ay ban a Norsk, yu say. But he ban little faller, Ay tenk 'bout sax years old,And so ay used to lak him— He ban too small to scold.Ay used to say, "Val, Yimmie, Ay ant ban Svede,...
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Mary Jane Holmes
THE FARMHOUSE AT SILVERTON. Uncle Ephraim Barlow, deacon of the orthodox church in Silverton, Massachusetts, was an old-fashioned man, clinging to the old-time customs of his fathers, and looking with but little toleration upon what he termed the "new-fangled notions" of the present generation. Born and reared amid the rocks and hills of the Bay State, his nature partook largely of the nature...
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PREFACE. An endeavour has been made in this handbook, as far as space and scantiness of material would permit, to trace the history of the development of wooden ships from the earliest times down to our own. Unfortunately, the task has been exceedingly difficult; for the annals of shipbuilding have been very badly kept down to a quite recent period, and the statements made by old writers concerning...
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Henry James
A LONDON LIFE I It was raining, apparently, but she didn't mind—she would put on stout shoes and walk over to Plash. She was restless and so fidgety that it was a pain; there were strange voices that frightened her—they threw out the ugliest intimations—in the empty rooms at home. She would see old Mrs. Berrington, whom she liked because she was so simple, and old Lady Davenant, who was...
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Various
APOLLODORUS, an Athenian painter, who flourished at the end of the 5th century B.C. He is said to have introduced great improvements in perspective and chiaroscuro. What these were it is impossible to say: perspective cannot have been in his day at an advanced stage. Among his works were an Odysseus, a priest in prayer, and an Ajax struck by lightning. APOLLODORUS, an Athenian grammarian, pupil of...
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Pierre Corneille
Act the First. Scene I.—Chimène and Elvira. Chimène. Elvira, have you given me a really true report? Do you conceal nothing that my father has said? Elvira. All my feelings within me are still delighted with it. He esteems Rodrigo as much as you love him; and if I do not misread his mind, he will command you to respond to his passion. Chimène. Tell me then, I beseech you, a second time, what makes...
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Various
ST. DUNSTAN'S, FLEET STREET. No church in London is perhaps better known than the above, which is distinctively called Saint Dunstan's in the West. External elegance has little to do with this celebrity, which has been acquired by the two wooden figures placed on a pediment in front, representing savages, who indicate the hours and quarters by striking a bell with their clubs: this has caused...
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George Newnes
Barbara Thorne sat leaning her head on her hand, looking at a photograph that lay on the table beneath her eyes. She had not intended to look for that when she pulled out a dusty drawer full of old letters, papers, and account-books to arrange and set in order. But when in the course of her rummaging and tidying she found that picture in her hand, she paused in her task. The neglected drawer stood...
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Booth Tarkington
CHAPTER I. THE YOUNG MAN WHO CAME TO STAY There is a fertile stretch of flat lands in Indiana where unagrarian Eastern travellers, glancing from car-windows, shudder and return their eyes to interior upholstery, preferring even the swaying caparisons of a Pullman to the monotony without. The landscape lies interminably level: bleak in winter, a desolate plain of mud and snow; hot and dusty in summer,...
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Bayard Tuckerman
CHAPTER I. THE ROMANCE OF CHIVALRY. I In the midst of an age of gloom and anarchy, when Feudalism was slowly building up a new social organization on the ruins of the Roman Empire, arose that spirit of chivalry, which, in its connection with the Christian religion, forms so sharp a division between the sentiments of ancient and modern times. Following closely on the growth of chivalry as an...
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