Chapter I A Man On The Roof "Tom, I don't believe it can be done!" "But, Dad, I'm sure it can!" Tom Swift looked over at his father, who was seated in an easy chair in the library. The elderly gentleman--his hair was quite white now--slowly shook his head, as he murmured again: "It can't be done, Tom! It can't be done! I admit that you've made a lot of... more...

This play seems to have induced several English playwrights to imitate it. First, we have Sir William D'Avenant's The Playhouse to be Let, of which the date of the first performance is uncertain. According to the Biographia Britannica, it was "a very singular entertainment, composed of five acts, each being a distinct performance. The first act is introductory, shows the distress of the... more...

Longtree sat before his hole in the ground and gazed thoughtfully among the sandy red hills that surrounded him. His skin at that moment was a medium yellow, a shade between pride and happiness at having his brief symphony almost completed, with just a faint tinge of red to denote that uncertain, cautious approach to the last note which had eluded him thus far. He sat there unmoving for a while, and... more...

"Just suppose," said Morgan, "that I did believe you. Just for argument." He glanced up at the man across the restaurant table. "Where would we go from here?" The man shifted uneasily in his seat. He was silent, staring down at his plate. Not a strange-looking man, Morgan thought. Rather ordinary, in fact. A plain face, nose a little too long, fingers a little too dainty, a suit... more...

INTRODUCTION The greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the... more...

ACT I. [A tropical garden in Kapilavatthu, in the background mountains, at a distance the snow-capped peaks of the Himalayas. On the right near the front a marble bench surrounded with bushes. Further back the palace entrance of the Raja's residence. Above the entrance a balcony. On the left a fortified gate with a guard house; all built luxuriously in antique Indian style.] Present: Suddhodana,... more...

THE FIRST ACT. Debt The scene is a conservatory built and decorated in Moorish style, in the house of the Rt. Hon. Sir Julian Twombley, M.P., Chesterfield Gardens, London. A fountain is playing, and tall palms lend their simple elegance to the elaborate Algerian magnificence of the place. The drawing-rooms are just beyond the curtained entrances. It is a May afternoon. Brooke Twombley, a good-looking... more...

Chapter I Mr. Laird, with his staff, left Winnipeg for Edmonton by the Canadian Pacific express on the 22nd of May, two of the Commissioners having preceded him to that point. The train was crowded, as usual, with immigrants, tourists, globe-trotters and way-passengers. Parties for the Klondike, for California or Japan—once the far East, but now the far West to us—for anywhere and everywhere, a... more...

CHAPTER I The Jovian Tyrant Glavour, Jovian Viceroy of the Earth, looked arrogantly about as he lay at ease on the cushions of the ornate chariot which bore him through the streets of his capital city. Like all the Jovians, he was cast in a heroic mold compared to his Earth-born subjects. Even for a Jovian, Glavour was large. He measured a good eight feet from the soles of his huge splayed feet to the... more...

THE GOOD OLD TIMES. It is recorded of John Lowin, an actor contemporary with Shakespeare and associated with several of Shakespeare's greater characters (his range was so wide, indeed, that it included Falstaff, Henry the Eighth, and Hamlet), that, having survived the halcyon days of "Eliza and our James" and lingered into the drab and russet period of the Puritans, when all the theatres... more...