"There is nothing that makes men rich and strong but that which they carry inside of them. Wealth is of the heart, not of the hand."—John Milton. "Until we know why the rose is sweet or the dew drop pure, or the rainbow beautiful, we cannot know why the poet is the best benefactor of society. The soldier fights for his native land, but the poet touches that land with the charm that makes... more...

The world is so taken up of late with novels and romances, that it will be hard for a private history to be taken for genuine, where the names and other circumstances of the person are concealed, and on this account we must be content to leave the reader to pass his own opinion upon the ensuing sheet, and take it just as he pleases. The author is here supposed to be writing her own history, and in the... more...

THE CONFLICT. The pyramids, temples and palaces of Thebes are monuments of the ancient intellects of our race. Great thinkers only were capable of giving to the world the Vedas, the Apollo Belvidere and the Parthenon. The arts and astronomy of Egypt harmonize very poorly with the idea that modern scientists have all the wisdom and intelligence known in the history of the ages. Among the wonderful... more...

INTRODUCTION Experience, this greatest of all teachers, will undoubtedly have convinced many of my readers that the most delightful voyage is only capable of maintaining its charms when made amidst congenial fellow-travelers. The grandest scenes can be fully enjoyed and duly appreciated when viewed through an atmosphere of physical comfort. Thus, in order to demonstrate the accuracy of the assertion:... more...

CHAPTER FIRST. THE LANDSCAPE OF THE STORY. I see old Sylvester Peabody—the head of the Peabody family—seated in the porch of his country dwelling, like an ancient patriarch, in the calm of the morning. His broad-brimmed hat lies on the bench at his side, and his venerable white locks flow down his shoulders, which time in one hundred seasons of battle and sorrow, of harvest and drouth, of toil and... more...

THE COMING OF THE STORKIT was always a puzzle to the little girl how the stork that brought her ever reached the lonely Dakota farm-house on a December afternoon without her being frozen; and it was another mystery, just as deep, how the strange bird, which her mother said was no larger than a blue crane, was able, on leaving, to carry her father away with him to some family, a long, long distance off,... more...

His Early Years To Italy, at whose liberal well-head English Art has so often renewed itself, we turn naturally for an opening to this chronicle of a great English artist's career. Frederic Leighton was the painter of our time who strove hardest to keep alive an Italian ideal of beauty in London; therefore it is in Italy, the Italy of Raphael and Angelo and his favourite Giotteschi, that we must... more...

INTRODUCTION In the first decade of the eighteenth century, with comedy in train to be altered out of recognition to please the reformers and the ladies, one of the two talented writers who attempted to keep the comic muse alive in something like her "Restoration" form was Thomas Baker.[1] Of Baker's four plays which reached the stage, none has been reprinted since the eighteenth century... more...

I. White Otter's Own Shadow White Otter's heart was bad. He sat alone on the rim-rocks of the bluffs overlooking the sunlit valley. To an unaccustomed eye from below he might have been a part of nature's freaks among the sand rocks. The yellow grass sloped away from his feet mile after mile to the timber, and beyond that to the prismatic mountains. The variegated lodges of the... more...

A Midwinter Madness. Genius has been defined as a capacity for taking pains. When a college man's good fairy makes her first call at his cradle, she may bestow upon him the football instinct, with muscles to match; no fairy could do more. But if she bumps up against Heredity, and is powerless to give him the supreme gift, she may compensate for it in a degree by leaving the kind of larynx and... more...