PREFACE "Let posterity know, and knowing be astonished, that on the fifteenth day of September, 1784, Vincent Lunardi of Lucca, in Tuscany, the first aerial traveller in Britain, mounting from the Artillery Ground in London, and traversing the regions of the air for two hours and fifteen minutes, on this spot revisited the earth. In this rude monument for ages be recorded this wondrous enterprise... more...

DON QUIXOTE IN LONDON Simon Beecot was a country gentleman with a small income, a small estate and a mind considerably smaller than either. He dwelt at Wargrove in Essex and spent his idle hours—of which he possessed a daily and nightly twenty-four—in snarling at his faded wife and in snapping between whiles at his son. Mrs. Beecot, having been bullied into old age long before her time, accepted... more...

CHAPTER I. THE CAMPFIRE IN THE GULCH—AN ALARM—THE SOLITARY FIGURE—UNDER COVER—A WHITE MAN—"HAIL, FRIEND!"—A CORDIAL MEETING—A SECOND STRANGE CHARACTER.   "Well, Desmond, we've taken a desperate chance, and so far appear to be losers." The circumstances under which the words above quoted were spoken were weird and strange. A man and a mere youth were sitting by a... more...

CHAPTER ONE Mr. Baker, chief mate of the ship Narcissus, stepped in one stride out of his lighted cabin into the darkness of the quarter-deck. Above his head, on the break of the poop, the night-watchman rang a double stroke. It was nine o'clock. Mr. Baker, speaking up to the man above him, asked:—"Are all the hands aboard, Knowles?" The man limped down the ladder, then said... more...

XVI. "Midnight's meridian is supposed to mark The bound twixt toil and slumber. Light and dark Mete out the lives of mortals In happy alternation," said my guide. "Six hours must fleet ere Phoebus shall set wide His glowing orient portals. "The last loud halloo at the tavern-door long since has driven the reckless and the poor From misery's only haven Forth on the chilling... more...

IF I MAY The Case for the Artist By an “artist” I mean Shakespeare and Me and Bach and Myself and Velasquez and Phidias, and even You if you have ever written four lines on the sunset in somebody’s album, or modelled a Noah’s Ark for your little boy in plasticine. Perhaps we have not quite reached the heights where Shakespeare stands, but we are on his track. Shakespeare can be representative... more...

I. A SLOW JOURNEY Again two carriages stood at the front door of the house at Petrovskoe. In one of them sat Mimi, the two girls, and their maid, with the bailiff, Jakoff, on the box, while in the other—a britchka—sat Woloda, myself, and our servant Vassili. Papa, who was to follow us to Moscow in a few days, was standing bareheaded on the entrance-steps. He made the sign of the cross at the... more...

"Number 481 is no better, doctor," said the head-warder, in a slightly reproachful accent, looking in round the corner of my door. "Confound 481" I responded from behind the pages of the Australian Sketcher. "And 61 says his tubes are paining him. Couldn't you do anything for him?" "He is a walking drug-shop," said I. "He has the whole British pharmacopaæ... more...

BYRON. It is one of the singular facts in the history of literature, that the most rootedly conservative country in Europe should have produced the poet of the Revolution. Nowhere is the antipathy to principles and ideas so profound, nor the addiction to moderate compromise so inveterate, nor the reluctance to advance away from the past so unconquerable, as in England; and nowhere in England is there... more...

endell Hart had drifted, rather than plunged, into the underground movement. Later, discussing it with other members of the Savers' Conspiracy, he found they had experienced the same slow, almost casual awakening. His own, though, had come at a more appropriate time, just a few weeks before the Great Ritual Sacrifice. The Sacrifice took place only once a decade, on High Holy Day at dawn of the... more...