INTRODUCTION AND ANALYSIS. Some dialogues of Plato are of so various a character that their relation to the other dialogues cannot be determined with any degree of certainty. The Theaetetus, like the Parmenides, has points of similarity both with his earlier and his later writings. The perfection of style, the humour, the dramatic interest, the complexity of structure, the fertility of illustration,... more...

INTRODUCTION. In several of the dialogues of Plato, doubts have arisen among his interpreters as to which of the various subjects discussed in them is the main thesis. The speakers have the freedom of conversation; no severe rules of art restrict them, and sometimes we are inclined to think, with one of the dramatis personae in the Theaetetus, that the digressions have the greater interest. Yet in the... more...

Section 1. Socrates begins the Timaeus with a summary of the Republic. He lightly touches upon a few points,—the division of labour and distribution of the citizens into classes, the double nature and training of the guardians, the community of property and of women and children. But he makes no mention of the second education, or of the government of philosophers. And now he desires to see the ideal... more...

BOOK IIB.C. 411. To follow the order of events (1). A few days later Thymochares arrived from Athens with a few ships, when another sea fight between the Lacedaemonians and Athenians at once took place, in which the former, under the command of Agesandridas, gained the victory. (1) Lit. "after these events"; but is hard to conjecture to whatevents the author refers. For the order of events and... more...

INTRODUCTION. The Ion is the shortest, or nearly the shortest, of all the writings which bear the name of Plato, and is not authenticated by any early external testimony. The grace and beauty of this little work supply the only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the... more...

INTRODUCTION AND ANALYSIS. In the Phaedrus, the Republic, the Philebus, the Parmenides, and the Sophist, we may observe the tendency of Plato to combine two or more subjects or different aspects of the same subject in a single dialogue. In the Sophist and Statesman especially we note that the discussion is partly regarded as an illustration of method, and that analogies are brought from afar which... more...

PREFACE Seneca, the favourite classic of the early fathers of the church and of the Middle Ages, whom Jerome, Tertullian, and Augustine speak of as "Seneca noster," who was believed to have corresponded with St. Paul, and upon whom [Footnote: On the "De Clementia," an odd subject for the man who burned Servetus alive for differing with him.] Calvin wrote a commentary, seems almost... more...

PREFACE. In the spring of 1862 I was induced, at the request of some personal friends, to print, for private circulation only, a small volume of "Translations of Poems Ancient and Modern," in which was included the first Book of the Iliad. The opinions expressed by some competent judges of the degree of success which had attended this "attempt to infuse into an almost literal English... more...

INTRODUCTION. Lysimachus, the son of Aristides the Just, and Melesias, the son of the elder Thucydides, two aged men who live together, are desirous of educating their sons in the best manner. Their own education, as often happens with the sons of great men, has been neglected; and they are resolved that their children shall have more care taken of them, than they received themselves at the hands of... more...

INTRODUCTION AND ANALYSIS. The dramatic power of the dialogues of Plato appears to diminish as the metaphysical interest of them increases (compare Introd. to the Philebus). There are no descriptions of time, place or persons, in the Sophist and Statesman, but we are plunged at once into philosophical discussions; the poetical charm has disappeared, and those who have no taste for abstruse metaphysics... more...