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My maiden name was Marthy Cannary. I was born in Princeton, Missourri, May 1st, 1852. Father and mother were natives of Ohio. I had two brothers and three sisters, I being the oldest of the children. As a child I always had a fondness for adventure and out-door exercise and especial fondness for horses which I began to ride at an early age and continued to do so until I became an expert rider being... more...

THE UNKNOWN JOURNEY “He went out not knowing whither he went.”—Hebrews xi. 6-10. BRAM began his journey without any knowledge of his ultimate destination. He obeyed a noble impulse without any discernment of its consequences. He took “one step,” and he did not “ask to see the distant scene.” And that is faith, to do God’s will here and now, quietly leaving the results to Him. Faith is... more...

Flies and Boys. Hot as hot. Through the open window, where a couple of long shoots of one of the grapevines hung down, partially shading the room within, a broad, glowing ray of light, which made the shadows near look purply black, streamed right across the head of Marcus, a Roman lad of about eighteen, making his close, curly, brown hair glisten as if some of the threads were of gold, while the light... more...

PREFACE When I first broached the matter of writing his autobiography to John H. Cady, two things had struck me particularly. One was that of all the literature about Arizona there was little that attempted to give a straight, chronological and intimate description of events that occurred during the early life of the Territory, and, second, that of all the men I knew, Cady was best fitted, by reason of... more...

Plays on the subject of Caius Julius are so numerous that some difficulty arises in properly distinguishing the titles. In the case of the piece here reprinted the first title, which is also the head title, suggests a play of Chapman’s, while the running title is the traditional property of William Shakespeare. It seems, therefore, best that it should become known by the name which appears second on... more...

ACT I An October night on the Syrian border of Egypt towards the end of the XXXIII Dynasty, in the year 706 by Roman computation, afterwards reckoned by Christian computation as 48 B.C. A great radiance of silver fire, the dawn of a moonlit night, is rising in the east. The stars and the cloudless sky are our own contemporaries, nineteen and a half centuries younger than we know them; but you would not... more...

PREFACE. It has long been a subject of regret that we should have so few remains of so great a writer as the author of the “Analogy,” not only the greatest thinker of his day, but one almost equally remarkable for his personal religion and amiability. The few fragments and letters which remain unpublished, derive from this circumstance a value wholly incommensurate with their extent, though, as to... more...

by: W. Watson
INTRODUCTION. HE Cactus family is not popular among English horticulturists in these days, scarcely half a dozen species out of about a thousand known being considered good enough to be included among favourite garden plants. Probably five hundred kinds have been, or are, in cultivation in the gardens of the few specialists who take an interest in Cactuses; but these are practically unknown in English... more...

BYRON. It is one of the singular facts in the history of literature, that the most rootedly conservative country in Europe should have produced the poet of the Revolution. Nowhere is the antipathy to principles and ideas so profound, nor the addiction to moderate compromise so inveterate, nor the reluctance to advance away from the past so unconquerable, as in England; and nowhere in England is there... more...

I.  PICTURES, SKETCHES AND DRAWINGSBY OR RELATING TO SAMUEL BUTLER By his will Butler bequeathed his pictures, sketches, and studies to his executors to be destroyed or otherwise disposed of as they might think best, the proceeds (if any) to fall into residue.  They were not sold: some were given to Shrewsbury School; some to the British Museum; one, an unfinished sketch of the back of the house in... more...