BIBLIOGRAPHY OF GENERAL WORKS A large bibliography of standard works on the American Theatre was given in Volume I of the present collection. A very few of the titles have been repeated here, with the additional inclusion of books which will present the essential spirit of modern American playwriting. Some of these works mentioned contain further bibliographies, and these will enable the student to go... more...

GEORGE HENRY BOKER (1823-1890) The name of George Henry Boker suggests a coterie of friendships—a group of men pledged to the pursuit of letters, and worshippers at the shrine of poetry. These men, in the pages of whose published letters and impressions are embedded many pleasing aspects of Boker's temperament and character, were Bayard Taylor, Richard Henry Stoddard, and Charles Godfrey Leland,... more...

AUGUSTUS THOMAS (Born, St. Louis, Mo., January 8, 1859) It is not a new thing for a dramatic author to write prefaces to his plays. We are fortunate in possessing a series of personal opinions in this form that constitute a valuable asset in determining individual attitude and technical purpose. Read Schiller's opening remarks to "The Robbers," Victor Hugo's famous opinions affixed to... more...

OLIVER BELL BUNCE. (1828-1890) The name of Oliver Bell Bunce is not prominently connected with the American Theatre. Authorities have taken little or no trouble to unearth his association with the plays and players of his time—the mid-period of the nineteenth century. Yet they all agree that, as illustration of "parlour comedy," his "Love in '76" is a satisfactory example of... more...

STEELE MACKAYE (1844-1894) When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour. Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all... more...

CLYDE FITCH (1865-1909) Clyde Fitch brought a vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human... more...

LANGDON MITCHELL (Born Philadelphia, Pa., February 17, 1862) The performance of "The New York Idea" at the Lyric Theatre, New York, on November 19, 1906, was one of the rare, distinguished events in the American Theatre. It revealed the fact that at last an American playwright had written a drama comparable with the very best European models, scintillating with clear, cold brilliancy, whose... more...

A POOR MAN'S TALE OF A PATENT I AM not used to writing for print. What working-man, that never labours less (some Mondays, and Christmas Time and Easter Time excepted) than twelve or fourteen hours a day, is? But I have been asked to put down, plain, what I have got to say; and so I take pen-and-ink, and do it to the best of my power, hoping defects will find excuse. I was born nigh London, but... more...

The documentary materials collected in this booklet deal withreproduction of copyrighted works by educators, librarians, andarchivists for a variety of uses, including:  + Reproduction for teaching in educational institutions at all levels;    and  + Reproduction by libraries and archives for purposes of study,    research, interlibrary exchanges, and archival preservation. The... more...

POEMS BY ROBERT LOUIS STEVENSON AUTUMN FIRES In the other gardens  And all up the vale,From the autumn bonfires  See the smoke trail! Pleasant summer over  And all the summer flowers;The red fire blazes,  The grey smoke towers. Sing a song of seasons!  Something bright in all!Flowers in the summer,  Fires in the fall! THE UNSEEN PLAYMATE When children are playing alone on the green,In comes... more...