THE DEATH VALLEY TRAIL The heat hung like smoke above Panamint Sink, it surged up against the hills like the waves of a great sea that boiled and seethed in the sun; and the mountains that walled it in gleamed and glistened like polished jet where the light was struck back from their sides. They rose up in solid ramparts, unbelievably steep and combed clean by the sluicings of cloudbursts; and where... more...

CHAPTER I. HOW LODBROK THE DANE CAME TO REEDHAM. Elfric, my father, and I stood on our little watch tower at Reedham, and looked out over the wide sea mouth of Yare and Waveney, to the old gray walls of the Roman Burgh on the further shore, and the white gulls cried round us, and the water sparkled in the fresh sea breeze from the north and east, and the bright May-time sun shone warmly on us, and our... more...

CHAPTER I. A QUARREL. The great Abbey of Westminster was approaching its completion; an army of masons and labourers swarmed like bees upon and around it, and although differing widely in its massive architecture, with round Saxon windows and arches, from the edifice that was two or three generations later to be reared in its place,—to serve as a still more fitting tomb for the ashes of its pious... more...

ITS OBJECT The desire to write for publication is one which inheres strongly in every human breast. From the proficient college graduate, storming the gates of the high-grade literary magazines, to the raw schoolboy, vainly endeavoring to place his first crude compositions in the local newspapers, the whole intelligent public are today seeking expression through the printed page, and yearning to behold... more...

CHAPTER I WHAT IS A PHOTOPLAY? As its title indicates, this book aims to teach the theory and practice of photoplay construction. This we shall attempt by first pointing out its component parts, and then showing how these parts are both constructed and assembled so as to form a strong, well-built, attractive and salable manuscript. The Photoplay Defined and Differentiated A photoplay is a story told... more...

CHAPTER I THE WHY OF THE VAUDEVILLE ACT 1. The Rise of Vaudeville A French workman who lived in the Valley of the Vire in the fourteenth or fifteenth century, is said to be vaudeville's grandparent. Of course, the child of his brain bears not even a remote resemblance to its descendant of to-day, yet the line is unbroken and the relationship clearer than many of the family trees of the royal... more...

AIMS AND THE PLAN The author's main purpose in this book is to teach precision in writing; and of good writing (which, essentially, is clear thinking made visible) precision is the point of capital concern. It is attained by choice of the word that accurately and adequately expresses what the writer has in mind, and by exclusion of that which either denotes or connotes something else. As... more...

The Outpost. On the northern shores of the Gulf of Saint Lawrence there stood, not very long ago, a group of wooden houses, which were simple in construction and lowly in aspect. The region around them was a vast uncultivated, uninhabited solitude. The road that led to them was a rude one. It wound round a rugged cliff, under the shelter of which the houses nestled as if for protection from the cold... more...

THE WRECK I was apprenticed to the Sea when I was twelve years old, and I have encountered a great deal of rough weather, both literal and metaphorical.  It has always been my opinion since I first possessed such a thing as an opinion, that the man who knows only one subject is next tiresome to the man who knows no subject.  Therefore, in the course of my life I have taught myself whatever I could,... more...

WHAT SHALL WE BUILD? our children were playing on the sea-shore. They had gathered bright pebbles and beautiful shells, and written their names in the pure, white sand; but at last, tired of their sport, they were about going home, when one of them, as they came to a pile of stones, cried out: "Oh! let us build a fort; and we will call that ship away out there, an enemy's vessel, and make... more...