Chapter I. Farewell to the Old Southern Home. I have often wondered, when viewing a modern passenger coach, with its palace cars, its sleeping and dining cars, if those who cross the "Great American Desert," from the Mississippi to the Pacific in four days, realize the hardships, dangers and privations of the Argonauts of fifty-eight years ago. The "Plains" were then an unbroken... more...

My childhood passed so quietly and smoothly that it would be superfluous to mention it at all, except for the fact that such omission would leave a gap in these reminiscences. For this reason, and, also, in order that the American reader may get some idea of a good country home in Sweden, I shall relate very briefly some incidents from that time. My parents belonged to one of those old families of... more...

oward sundown, in the murky drizzle, the man who called himself Ord brought Lieutenant colonel William Barrett Travis word that the Mexican light cavalry had completely invested Bexar, and that some light guns were being set up across the San Antonio River. Even as he spoke, there was a flash and bang from the west, and a shell screamed over the old mission walls. Travis looked worried. "What kind... more...

CHAPTER I. THE CITY IN THE WILDERNESS. "What, are you stepping westward?" "Yea." Yet who would stop or fear to advance,Though home or shelter there was none,With such a sky to lead him on!"—WORDSWORTH. "Ah! cool night wind, tremulous stars,Ah! glimmering water,Fitful earth murmur,Dreaming woods!"—ARNOLD. In A. D. sixteen hundred and ninety-two, a few Franciscan monks... more...

Rembrandt's Etching Technique: An Example A Rembrandt print in the collection of the Smithsonian Institution has been made the subject of a study of the artist's etching technique. The author is associate curator, division of graphic arts, in the Smithsonian Institution's Museum of History and Technology. All footnotes appear at the end of this paper. Rembrandt's print, Landscape... more...

PREFACE. The high estimation in which I have ever held the works of Rembrandt has been greatly increased by my going through this examination of his various excellencies, and such will ever be the case when the emanations of genius are investigated; like the lustre of precious stones, their luminous colour shines from the centre, not from the surface. With such a mine of rich ore as the works of... more...

INTRODUCTION While the world pays respectful tribute to Rembrandt the artist, it has been compelled to wait until comparatively recent years for some small measure of reliable information concerning Rembrandt the man. The sixteenth and seventeenth centuries seem to have been very little concerned with personalities. A man was judged by his work which appealed, if it were good enough, to an... more...

CHAPTER I THE RECOVERERS OF REMBRANDT Imagine a man, a citizen of London, healthy, middle-aged, successful in business, whose interest in golf is as keen, according to his lights and limitations, as the absorption of Rembrandt in art. Suppose this citizen, having one day a loose half-hour of time to fill in the neighbourhood of South Kensington, remembers the articles he has skimmed in the papers about... more...

INTRODUCTION I. ON REMBRANDT'S CHARACTER AS AN ARTIST A general impression prevails with the large picture-loving public that a special training is necessary to any proper appreciation of Rembrandt. He is the idol of the connoisseur because of his superb mastery of technique, his miracles of chiaroscuro, his blending of colors. Those who do not understand these matters must, it is supposed, stand... more...

CHAPTER I. Of the Breast-Milk, &c. &c. No sooner has the child been ushered into the world than the breasts of the mother pour forth their milk for its sustenance. This bland fluid is secreted from the blood, and varies, in quality and quantity, according to the time which has elapsed from delivery, being peculiarly and wonderfully adapted at every period to the wants of the individual for... more...