A POOR MAN'S TALE OF A PATENT I AM not used to writing for print. What working-man, that never labours less (some Mondays, and Christmas Time and Easter Time excepted) than twelve or fourteen hours a day, is? But I have been asked to put down, plain, what I have got to say; and so I take pen-and-ink, and do it to the best of my power, hoping defects will find excuse. I was born nigh London, but... more...

LANGDON MITCHELL (Born Philadelphia, Pa., February 17, 1862) The performance of "The New York Idea" at the Lyric Theatre, New York, on November 19, 1906, was one of the rare, distinguished events in the American Theatre. It revealed the fact that at last an American playwright had written a drama comparable with the very best European models, scintillating with clear, cold brilliancy, whose... more...

CLYDE FITCH (1865-1909) Clyde Fitch brought a vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human... more...

STEELE MACKAYE (1844-1894) When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour. Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all... more...

OLIVER BELL BUNCE. (1828-1890) The name of Oliver Bell Bunce is not prominently connected with the American Theatre. Authorities have taken little or no trouble to unearth his association with the plays and players of his time—the mid-period of the nineteenth century. Yet they all agree that, as illustration of "parlour comedy," his "Love in '76" is a satisfactory example of... more...

AUGUSTUS THOMAS (Born, St. Louis, Mo., January 8, 1859) It is not a new thing for a dramatic author to write prefaces to his plays. We are fortunate in possessing a series of personal opinions in this form that constitute a valuable asset in determining individual attitude and technical purpose. Read Schiller's opening remarks to "The Robbers," Victor Hugo's famous opinions affixed to... more...

GEORGE HENRY BOKER (1823-1890) The name of George Henry Boker suggests a coterie of friendships—a group of men pledged to the pursuit of letters, and worshippers at the shrine of poetry. These men, in the pages of whose published letters and impressions are embedded many pleasing aspects of Boker's temperament and character, were Bayard Taylor, Richard Henry Stoddard, and Charles Godfrey Leland,... more...

BIBLIOGRAPHY OF GENERAL WORKS A large bibliography of standard works on the American Theatre was given in Volume I of the present collection. A very few of the titles have been repeated here, with the additional inclusion of books which will present the essential spirit of modern American playwriting. Some of these works mentioned contain further bibliographies, and these will enable the student to go... more...

I. USES OF GREAT MEN. It is natural to believe in great men. If the companions of our childhood should turn out to be heroes, and their condition regal, it would not surprise us. All mythology opens with demigods, and the circumstance is high and poetic; that is, their genius is paramount. In the legends of the Gautama, the first men ate the earth, and found it deliciously sweet. Nature seems to exist... more...

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