SCENE 1 SCENE—A room with lighted fire, and a door into the open air, through which one sees, perhaps, the trees of a wood, and these trees should be painted in flat colour upon a gold or diapered sky. The walls are of one colour. The scene should have the effect of missal Painting. MARY, a woman of forty years or so, is grinding a quern. MARY. What can have made the grey hen flutter so? (TEIG, a boy... more...

CHAPTER I CHOOSING A PLACE TO LIVE Blessed indeed are they who are free to choose where and how they shall live. Still more blessed are they who give abundant thought to their choice, for they may not wear the sackcloth of discomfort nor scatter the ashes of burned money. Most of us have a theory of what the home should be, but it is stowed away with the wedding gifts of fine linen that are cherished... more...

PROLOGUE I 'Ah, what a thing it would be for us if his Inca Highness were really only asleep, as he looks to be! Just think what he could tell us—how easily he could re-create that lost wonderland of his for us, what riddles he could answer, what lies he could contradict. And then think of all the lost treasures that he could show us the way to. Upon my word, if Mephistopheles were to walk into... more...

BILL THE BLOODHOUND There's a divinity that shapes our ends. Consider the case of HenryPifield Rice, detective. I must explain Henry early, to avoid disappointment. If I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International... more...

CHAPTER I. HEAVEN MUST BE RUN FOR. SO RUN, THAT YE MAY OBTAIN.—1 Corinthians ix. 24. Heaven and happiness is that which every one desireth, insomuch that wicked Balaam could say, "Let me die the death of the righteous, and let my last end be like his!" Yet for all this, there are but very few that do obtain that ever-to-be-desired glory, insomuch that many eminent professors drop short of a... more...

ACT I. Scene: Within the tent of Menones, on the plain before Nineveh. Left, centre, entrance to tent from the plain. Curtains rear, forming partition with exits right and left of centre. The same at right, with one exit, centre. Couch rear, between exits. From a tent-pole near exit, right centre, hang helmet and a suit of chain armor. Sola parts curtains rear, left, and looks out, showing effort to... more...

FORWARD The present book is a continuation from "Psychoanalysis and the Unconscious." The generality of readers had better just leave it alone. The generality of critics likewise. I really don't want to convince anybody. It is quite in opposition to my whole nature. I don't intend my books for the generality of readers. I count it a mistake of our mistaken democracy, that every man... more...

I think, therefore I am. That was the first thought I had. Of course not in the same symbols, but with the same meaning. I awakened, or came alive, or came into existence suddenly, at least my mental consciousness did. "Here am I," I thought, "but what am I, why am I, where am I?" I had nothing to work with except pure reason. I was there because I was not somewhere else. I was certain... more...

A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

CHAPTER I THE HOME ON THE GREAT PLAIN Some like to be one thing, some another. There is so much to be done, so many different things to do, so many trades! Shepherds, soldiers, sailors, ploughmen, carters—one could go on all day naming without getting to the end of them. For myself, boy and man, I have been many things, working for a living, and sometimes doing things just for pleasure;... more...