"Panis Angelicus fit panis hominum. O res mirabilis, manducat Dominum Pauper, Servus et Humilis." These words of the Matins of the Most Holy Sacrament I heard for the first time many years ago, to the beautiful and inappropriate music of Cherubini. They struck me at that time as foolish, barbarous, and almost gross; but since then I have learned to think of them, and in a measure to feel of... more...

               And indeed He seems to me  Scarce other than my king's ideal knight,  'Who reverenced his conscience as his king;  Whose glory was, redressing human wrong;  Who spake no slander, no, nor listened to it;  Who loved one only and who clave to her—'  Her—over all whose realms to their last isle,  Commingled with the gloom of imminent... more...

Once upon a time, a thousand years before Columbus discovered America, and when Rome was still the greatest city in the world, there lived a brave and beautiful youth whose name was Arthur. His home was in England, near London; and he lived with the good knight Sir Hector, whom he always called father. They dwelt in a great square castle of gray stone, with a round tower at each corner. It was built... more...

THE VENETIAN PAINTERS OF THE RENAISSANCE I. Value of Venetian Art.—Among the Italian schools of painting the Venetian has, for the majority of art-loving people, the strongest and most enduring attraction. In the course of the present brief account of the life of that school we shall perhaps discover some of the causes of our peculiar delight and interest in the Venetian painters, as we come to... more...

THIS exhibition has been arranged with a desire to meet the convenience of those who are interested in manifestations of the arts of different countries over which Islam held sway at one time or other in the past. An effort has been made to show under one roof representative examples of works produced at different epochs and stages of the civilizations referred to, so that they may be seen, and perhaps... more...

Preface When I first saw Mr. Osgood's beautiful illustrated edition of The Lady of the Lake, I asked him to let me use some of the cuts in a cheaper annotated edition for school and household use; and the present volume is the result. The text of the poem has given me unexpected trouble. When I edited some of Gray's poems several years ago, I found that they had not been correctly printed for... more...

CHAPTER I. How Sir Tristram jousted, and smote down King Arthur, because he told him not the cause why he bare that shield. AND if so be ye can descrive what ye bear, ye are worthy to bear the arms. As for that, said Sir Tristram, I will answer you; this shield was given me, not desired, of Queen Morgan le Fay; and as for me, I can not descrive these arms, for it is no point of my charge, and yet I... more...

Chretien De Troyes has had the peculiar fortune of becoming the best known of the old French poets to students of mediaeval literature, and of remaining practically unknown to any one else. The acquaintance of students with the work of Chretien has been made possible in academic circles by the admirable critical editions of his romances undertaken and carried to completion during the past thirty years... more...

CHAPTER I. How Uther Pendragon sent for the duke of Cornwall and Igraine his wife, and of their departing suddenly again. IT befell in the days of Uther Pendragon, when he was king of all England, and so reigned, that there was a mighty duke in Cornwall that held war against him long time. And the duke was called the Duke of Tintagil. And so by means King Uther sent for this duke, charging him to bring... more...

I.—WACE In the long line of Arthurian chroniclers Geoffrey of Monmouth deservedly occupies the first place. The most gifted and the most original of their number, by his skilful treatment of the Arthurian story in his Historia Regum Britanniae, he succeeded in uniting scattered legends attached to Arthur's name, and in definitely establishing their place in chronicle history in a form... more...