Excerpt
About six miles north of the original Paris stands the great Basilica of St. Denis--the only church in Paris, and I think in France, called by that ancient name, which carries us back at once to the days of the Roman Empire, and in itself bears evidence to the antiquity of the spot as a place of worship. Around it, a squalid modern industrial town has slowly grown up; but the nucleus of the whole place, as the name itself shows, is the body and shrine of the martyred bishop, St. Denis. Among the numerous variants of his legend, the most accepted is that in which the apostle of Paris carries his head to this spot from Montmartre. Others say he was beheaded in Paris and walked to Montmartre, his body being afterward translated to the Abbey; while there are some who see in this legend a survival of the Dionysiac festival and sacrifice of the vine-growers round Paris--Denis--Dionysius--Dionysus.
However that may be, a chapel was erected in 275 above the grave of St. Denis, on the spot now occupied by the great Basilica; and later, Ste. Geneviève was instrumental in restoring it. Dagobert I., one of the few Frankish kings who lived much in Paris, built a "basilica" in place of the chapel (630), and instituted by its side a Benedictine Abbey. The church and monastery which possest the actual body of the first bishop and great martyr of Paris formed naturally the holiest site in the neighborhood of the city; and even before Paris became the capital of a kingdom, the abbots were persons of great importance in the Frankish state.
The desire to repose close to the grave of a saint was habitual in early times, and even (with the obvious alteration of words) ante-dated Christianity--every wealthy Egyptian desiring in the same way to "sleep with Osiris." Dagobert himself was buried in the church he founded, beside the holy martyr; and in later times this very sacred spot became for the same reason the recognized burial place of the French kings. Dagobert's fane was actually consecrated by the Redeemer Himself, who descended for the purpose by night, with a great multitude of saints and angels.
The existing Basilica, tho of far later date, is the oldest church of any importance in the neighborhood of Paris. It was begun by Suger, abbot of the monastery, and sagacious minister of Louis VI. and VII., in 1121. As yet, Paris itself had no great church, Notre-Dame having been commenced some 50 years later. The earliest part of Suger's building is in the Romanesque style; it still retains the round Roman arch and many other Roman constructive features. During the course of the 50 years occupied in building the Basilica, however, the Gothic style was developed; the existing church therefore exhibits both Romanesque and Gothic work, with transitional features between the two, which add to its interest. Architecturally, then, bear in mind, it is in part Romanesque, passing into Gothic. The interior is mostly pure Early Gothic.
The neighborhood to Paris, the supremacy of the great saint, and the fact that St. Denis was especially the Royal Abbey, all combined to give it great importance. Under Suger's influence, Louis VI. adopted the oriflamme or standard of St. Denis as the royal banner of France. The Merovingian and Carlovingian kings, to be sure--Germans rather than French--had naturally been buried elsewhere, as at Aix-la-Chapelle, Rheims, and Soissons (tho even of them a few were interred beside the great bishop martyr). But as soon as the Parisian dynasty of the Capets came to the throne, they were almost without exception buried at St. Denis. Hence the abbey came to be regarded at last mainly as the mausoleum of French royalty, and is still too often so regarded by tourists.
But tho the exquisite Renaissance tombs of the House of Valois would well deserve a visit on their own account, they are, at St. Denis, but accessories to the great Basilica. Besides the actual tombs, too, many monuments were erected here, in the 13th century (by St....