Excerpt
MUSLIN I
The convent was situated on a hilltop, and through the green garden the white dresses of the schoolgirls fluttered like the snowy plumage of a hundred doves. Obeying a sudden impulse, a flock of little ones would race through a deluge of leaf-entangled rays towards a pet companion standing at the end of a gravel-walk examining the flower she has just picked, the sunlight glancing along her little white legs proudly and charmingly advanced. The elder girls in their longer skirts were more dignified, but when they caught sight of a favourite sister, they too ran forward, and then retreated timidly, as if afraid of committing an indiscretion.
It was prize-day in the Convent of the Holy Child, and since early morning all had been busy preparing for the arrival of the Bishop. His throne had been set at one end of the school-hall, and at the other the carpenters had erected a stage for the performance of King Cophetua, a musical sketch written by Miss Alice Barton for the occasion.
Alice Barton was what is commonly known as a plain girl. At home, during the holidays, she often heard that the dressmaker could not fit her; but though her shoulders were narrow and prim, her arms long and almost awkward, there was a character about the figure that commanded attention. Alice was now turned twenty; she was the eldest, the best-beloved, and the cleverest girl in the school. It was not, therefore, on account of any backwardness in her education that she had been kept so long out of society, but because Mrs. Barton thought that, as her two girls were so different in appearance, it would be well for them to come out together. Against this decision Alice said nothing, and, like a tall arum lily, she had grown in the convent from girl to womanhood. To her the little children ran to be comforted; and to walk with her in the garden was considered an honour and a pleasure that even the Reverend Mother was glad to participate in.
Lady Cecilia Cullen sat next to Alice, and her high shoulders and long face and pathetic eyes drew attention to her shoulders—they were a little wry, the right seemingly higher than the left. Her eyes were on Alice, and it was plain that she wished the other girls away, and that her nature was delicate, sensitive, obscure, if not a little queer. At home her elder sisters complained that an ordinary look or gesture often shocked her, and so deeply that she would remain for hours sitting apart refusing all consolation; and it was true that a spot on the tablecloth or presence of one repellent to her was sufficient to extinguish a delight or an appetite.
Violet Scully occupied the other end of the garden bench. She was very thin, but withal elegantly made. Her face was neat and delicate, and it was set with light blue eyes; and when she was not changing her place restlessly, or looking round as if she fancied someone was approaching, when she was still (which was seldom), a rigidity of feature and an almost complete want of bosom gave her the appearance of a convalescent boy....