The Roof Tree

Excerpt

CHAPTER I

Between the smoke-darkened walls of the mountain cabin still murmured the last echoes of the pistol's bellowing, and it seemed a voice of everlasting duration to the shock-sickened nerves of those within.

First it had thundered with the deafening exaggeration of confined space, then its echo had beaten against the clay-chink wall timbers and rolled upward to the rafters. Now, dwindled to a ghostly whisper, it lingered and persisted.

But the house stood isolated, and outside the laurelled forests and porous cliffs soaked up the dissonance as a blotter soaks ink.

The picture seen through the open door, had there been any to see, was almost as motionless as a tableau, and it was a starkly grim one, with murky shadows against a fitful light. A ray of the setting sun forced its inquisitive way inward upon the semi-darkness of the interior. A red wavering from the open hearth, where supper preparations had been going forward, threw unsteady patches of fire reflection outward. In the pervading smell of dead smoke from a blackened chimney hung the more pungent sharpness of freshly burned gun-powder, and the man standing near the door gazed downward, with a dazed stare, at the floor by his feet, where lay the pistol which gave forth that acrid stench.

Across from him in the dead silence—dead save for the lingering of the echo's ghost—stood the woman, her hands clutched to her thin bosom, her eyes stunned and dilated, her body wavering on legs about to buckle in collapse.

On the puncheon floor between them stretched the woman's husband. The echo had outlasted his life and, because the muzzle had almost touched his breast, he sprawled in a dark welter that was still spreading.

His posture was so uncouth and grotesque as to filch from death its rightful dignity, and his face was turned downward.

The interminability of the tableau existed only in the unfocussed minds of the two living beings to whom the consequence of this moment was not measurable in time. Then from the woman's parted lips came a long, strangling moan that mounted to something like a muffled shriek. She remained a moment rocking on her feet, then wheeled and stumbled toward the quilt-covered four-poster bed in one dark corner of the cabin. Into its feather billows she flung herself and lay with her fingernails digging into her temples and her body racked with the incoherencies of hysteria.

The man stooped to pick up the pistol and walked slowly over to the rough table where he laid it down noiselessly, as though with that quietness he were doing something to offset the fatal blatancy with which it had just spoken. He looked down at the lifeless figure with burning eyes entirely devoid of pity, then went with a soundless tread, in spite of his heavy-soled boots, to the bed and spoke softly to the woman—who was his sister.

"Ye've got ter quit weepin' fer a spell, honey," he announced with a tense authority which sought to recall her to herself. "I'm obleeged ter take flight right speedily now, an' afore I goes thar's things ter be studied out an' sottled betwixt us."

But the half-stifled moan that came from the feather bed was a voice of collapse and chaos, to which speech was impossible....