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Sister Dolorosa and Posthumous Fame
by: James Lane Allen
Description:
Excerpt
When Sister Dolorosa had reached the summit of a low hill on her way to the convent, she turned and stood for a while looking backward. The landscape stretched away in a rude, unlovely expanse of grey fields, shaded in places by brown stubble, and in others lightened by pale, thin corn—the stunted reward of necessitous husbandry. This way and that ran wavering lines of low fences, some worm-eaten, others rotting beneath over-clambering wild-rose and blackberry. About the horizon masses of dense and rugged woods burned with sombre fires as the westering sun smote them from top to underbrush. Forth from the edge of one a few long-horned cattle, with lowered heads, wound meekly homeward to the scant milking. The path they followed led towards the middle background of the picture, where the weather-stained and sagging roof of a farmhouse rose above the tops of aged cedars. Some of the branches, broken by the sleet and snow of winters, trailed their burdens from the thinned and desolated crests—as sometimes the highest hopes of the mind, after being beaten down by the tempests of the world, droop around it as memories of once transcendent aspirations.
Where she stood in the dead autumn fields few sounds broke in upon the pervasive hush of the declining day. Only a cricket, under the warm clod near by, shrilled sturdily with cheerful forethought of drowsy hearthstones; only a lamb, timid of separation from the fold, called anxiously in the valley beyond the crest of the opposite hill; only the summoning whistle of a quail came sweet and clear from the depths of a neighbouring thicket. Through all the air floated that spirit of vast loneliness which at seasons seems to steal like a human mood over the breast of the great earth and leave her estranged from her transitory children. At such an hour the heart takes wing for home, if any home it have; or when, if homeless, it feels the quick stir of that yearning for the evening fireside with its half-circle of trusted faces, young and old, and its bonds of love and marriage, those deepest, most enchanting realities to the earthly imagination. The very landscape, barren and dead, but framing the simple picture of a home, spoke to the beholder the everlasting poetry of the race.
But Sister Dolorosa, standing on the brow of the hill whence the whole picture could be seen, yet saw nothing of it. Out of the western sky there streamed an indescribable splendour of many-hued light, and far into the depths of this celestial splendour her steadfast eyes were gazing.
She seemed caught up to some august height of holy meditation. Her motionless figure was so lightly poised that her feet, just visible beneath the hem of her heavy black dress, appeared all but rising from the dust of the pathway; her pure and gentle face was upturned, so that the dark veil fell away from her neck and shoulders; her lips were slightly parted; her breath came and went so imperceptibly that her hands did not appear to rise and fall as they clasped the cross to her bosom. Exquisite hands they were—most exquisite—gleaming as white as lilies against the raven blackness of her dress; and with startling fitness of posture, the longest finger of the right hand pointed like a marble index straight towards a richly-embroidered symbol over her left breast—the mournful symbol of a crimson heart pierced by a crimson spear. Whether attracted by the lily-white hands or by the red symbol, a butterfly, which had been flitting hither and thither in search of the gay races of the summer gone, now began to hover nearer, and finally lighted unseen upon the glowing spot. Then, as if disappointed not to find it the bosom of some rose, or lacking hope and strength for further quest—there it rested, slowly fanning with its white wings the tortured emblem of the divine despair.
Lower sank the sun, deeper and more wide-spread the splendour of the sky, more rapt and radiant the expression of her face. A painter of the angelic school, seeing her standing thus, might have named the scene the transfiguration of angelic womanhood. What but heavenly images should she be gazing on; or where was she in spirit but flown out of the earthly autumn fields and gone away to sainted vespers in the cloud-built realm of her own fantasies?...