Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 815
- Body, Mind & Spirit 145
- Business & Economics 28
- Children's Books 15
- Children's Fiction 12
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 63
- Family & Relationships 59
- Fiction 11841
- Foreign Language Study 1
- Games 19
- Gardening 17
- Health & Fitness 35
- History 1382
- House & Home 1
- Humor 147
- Juvenile Fiction 1880
- Juvenile Nonfiction 202
- Language Arts & Disciplines 89
- Law 16
- Literary Collections 687
- Literary Criticism 179
- Mathematics 13
- Medical 43
- Music 40
- Nature 181
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 65
- Photography 2
- Poetry 897
- Political Science 205
- Psychology 44
- Reference 154
- Religion 516
- Science 128
- Self-Help 87
- Social Science 83
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 60
- Transportation 23
- Travel 463
- True Crime 29
Our website is made possible by displaying online advertisements to our visitors.
Please consider supporting us by disabling your ad blocker.
Punch, or the London Charivari, Vol. 104, February 18, 1893
Categories:
Description:
Excerpt
PHANTASMA-GORE-IA!
Picturing the Various Modes of Melodramatic Murder. (By Our "Off-his"-Head Poet.)
No. IV.—The "Over-the-Cliff" Murder.
It may be this—that the Villain base
Has insulted the hero's girl;
It may be this—that he's brought disgrace
On a wretchedly-acted Earl.
I care not which it may chance to be,
Only this do I chance to know—
A cliff looks down at a canvas sea
And some property rocks below!
You say, perhaps, it is only there
From a love of the picturesque—
You hint, maybe, that it takes no share
In the plot of this weird burlesque;
But cliffs that tremble at every touch,
And that flap in the dreadful draught,
Have something better to do—ah, much!
Than to criticise Nature's craft!
The cliff is there, and the ocean too,
And the property rocks below.
(These last, as yet, don't appear to you,
But they're somewhere behind, I know.)
The cliff is there, and the sea besides
(As I fancy I've said before),
And yonder alone the Villain hides
Who is thirsting for someone's gore!
And now there comes to the Villain bold
The unfortunate Villain Two.
He's here to ask for the promised gold
For the deeds he has had to do.
But words run high, and a struggle strong
Sends the cliff rocking to and fro,
And Villain Two topples off ere long
To the property rocks below!
The scene is changed. The revolving cliff
Now exhibits its other side.
The corpse is there, looking very stiff—
Even more than before it died!
The crime is traced to the hero Jack,
Notwithstanding the stupids know
Deceased was thrown by the Villain black
To the property rocks below!
If the day's (as usual) pitchy,
Take up Anne Thackeray Ritchie!
If you're feeling "quisby-snitchy,"
Seek the fire—and read your Ritchie!
If your nerves are slack or twitchy,
Quiet them with soothing Ritchie.
If you're dull as water ditchy,
You'll be cheered by roseate Ritchie.
Be you achey, sore, chill, itchy,
Rest you'll find in Mrs. Ritchie!
May her light ne'er shine with slacker ray,
Gentle daughter of great Thackeray!
"Words! Words! Words!"—The decision in "the Missing Words (and money) Competition" is, in effect, "No more words about it, but hand over the £23,628 to the National Debt Commissioners." Advice this of Stirling value.
You Fall, Eiffel!
Are the Panama sentences rather hard?
So Monsieur Eiffel pro tem. disappears.
To walk round about a prison yard
Is the Tour d'Eiffel for a couple of years.
Evident.—The little song for Mr. Harry Lawson to sing on reading Mr. Charles Darling's letter in the Times of Thursday last—"Charley is my Darling!"
A Real "Opening" for a Smart Young (Political) Man.—The settling, on rational grounds, of the great and much-muddled up "Sunday-Opening" Question.
Cue for the Critics (if the New Coinage does not seem an improvement upon the Jubilee failures).—Pepper Mint!
Important Financial Question for Italians.—Are the Banks of the Tiber secure?
["Mr. Henry Blackburn, lecturing at the London Institution, Finsbury Circus, said English people were not an artistic nation, and instead of getting better, they appeared to be rapidly getting worse....