Messengers of Evil Being a Further Account of the Lures and Devices of Fantomas

Excerpt

THE DRAMA OF THE RUE NORVINS

On Monday, April 4th, 19—, the evening paper La Capitale published the following article on its first page:—

A drama, over the motives of which there is a bewildering host of conjectures, was unfolded this morning on the heights of Montmartre. The Baroness de Vibray, well known in the Parisian world and among artists, whose generous patroness she was, has been found dead in the studio of the ceramic painter, Jacques Dollon. The young painter, rendered completely helpless by a soporific, lay stretched out beside her when the crime was discovered. We say 'crime' designedly, because, when the preliminary medical examination was completed, it was clear that the death of the Baroness de Vibray was due to the absorption of some poison.

The painter, Jacques Dollon, whom the enlightened attentions of Doctor Mayran had drawn from his condition of torpor, underwent a short examination from the superintendent of police, in the course of which he made remarks of so suspicious a nature that the examining magistrate put him under arrest then and there. At police headquarters they are absolutely dumb regarding this strange affair. Nevertheless, the personal investigation undertaken by us throws a little light on what is already called: The Drama of the Rue Norvins.

The Discovery of the Crime

This morning, about seven o'clock, Madame Béju, a housekeeper in the service of the painter, Jacques Dollon, who, with his sister, Mademoiselle Elizabeth Dollon, occupied lodge number six, in the Close of the rue Norvins, was on the ground-floor of the house, attending to her customary duties. She had been on the premises about half an hour, and, so far, had not noticed anything abnormal; however, astonished at not hearing any movements on the floor above, for the painter generally rose pretty early, Madame Béju decided to go upstairs and wake her master, who would be vexed at having let himself sleep so late. She had to pass through the studio to reach Monsieur Jacques Dollon's bedroom. No sooner had she raised the door curtain of the studio than she recoiled, horrorstruck!

Disorder reigned in the studio: a startling disorder!

Pieces of furniture displaced, some of them overturned, showed that something extraordinary had happened there. In the middle of the room, on the floor, lay the inanimate form of a person whom Madame Béju knew well, for she had seen her at the painter's house many a time—the Baroness de Vibray. Not far from her, buried in a large arm-chair, motionless, giving no sign of life, was Monsieur Jacques Dollon!

When the good woman saw the rigid attitude of these two persons, she realised that she was in the presence of a tragedy.

Stirred to the depths, she redescended the stairs, calling for help: shortly afterwards, the entire Close was in a state of ferment: house porters, neighbours, male and female, crowded round Madame Béju, endeavouring to understand her disconnected account of the terrifying spectacle she had come face to face with but a minute before....