Categories
- Antiques & Collectibles 13
- Architecture 36
- Art 48
- Bibles 22
- Biography & Autobiography 813
- Body, Mind & Spirit 137
- Business & Economics 28
- Computers 4
- Cooking 94
- Crafts & Hobbies 4
- Drama 346
- Education 45
- Family & Relationships 57
- Fiction 11812
- Games 19
- Gardening 17
- Health & Fitness 34
- History 1377
- House & Home 1
- Humor 147
- Juvenile Fiction 1873
- Juvenile Nonfiction 202
- Language Arts & Disciplines 88
- Law 16
- Literary Collections 686
- Literary Criticism 179
- Mathematics 13
- Medical 41
- Music 40
- Nature 179
- Non-Classifiable 1768
- Performing Arts 7
- Periodicals 1453
- Philosophy 63
- Photography 2
- Poetry 896
- Political Science 203
- Psychology 42
- Reference 154
- Religion 498
- Science 126
- Self-Help 79
- Social Science 80
- Sports & Recreation 34
- Study Aids 3
- Technology & Engineering 59
- Transportation 23
- Travel 463
- True Crime 29
Kemps Nine Daies Wonder Performed in a Daunce from London to Norwich
by: Alexander Dyce
Categories:
Description:
Excerpt
INTRODUCTION.
William Kemp was a comic actor of high reputation. Like Tarlton, whom he succeeded “as wel in the fauour of her Maiesty as in the opinion and good thoughts of the generall audience,” he usually played the Clown, and was greatly applauded for his buffoonery, his extemporal wit, and his performance of the Jig.
That at one time,—perhaps from about 1589 to 1593 or later—he belonged to a Company under the management of the celebrated Edward Alleyn, is proved by the title-page of a drama which will be afterwards cited. At a subsequent period he was a member of the Company called the Lord Chamberlain’s Servants, who played during summer at the Globe, and during winter at the Blackfriars. In 1596, while the last-mentioned house was undergoing considerable repair and enlargement, a petition was presented to the Privy Council by the principal inhabitants of the liberty, praying that the work might proceed no further, and that theatrical exhibitions might be abolished in that district. A counter petition, which appears to have been successful, was presented by the Lord Chamberlain’s Servants; and, at its commencement, the names of the chief petitioners are thus arranged:—Thomas Pope, Richard Burbadge, John Hemings, Augustine Phillips, William Shakespeare, , William Slye, and Nicholas Tooley.
When and were originally brought upon the stage, Kemp acted Peter and Dogberry; and it has been supposed that in other plays of Shakespeare,—in , , , , and , he performed Launce, Touchstone, the Grave-digger, Justice Shallow, and Launcelot. On the first production of Ben Jonson’s , a character was assigned to him; and there is good reason to believe that in , by the same dramatist, he represented Carlo Buffone.
In 1599 Kemp attracted much attention by dancing the morris from London to Norwich; and as well to refute the lying ballads put forth concerning this exploit, as to testify his gratitude for the favours he had received during his “gambols,” he published in the following year the curious pamphlet which is now reprinted. A was thus entered in the Stationers’ Books:
“22 Aprilis [1600]“Mr. LingeEntered for his copye vnder the handes of Mr. Harsnet & Mr. Man warden a booke called Kemps morris to Norwiche.vi.Ben Jonson alludes to this remarkable journey in , originally acted in 1599, where Carlo Buffone is made to exclaim “Would I had one of Kemp’s shoes to throw after you!” and again in his :—
“or whichDid dance the famous morris unto Norwich.”
So also William Rowley in the prefatory Address to a very rare tract called , &c., 1609, 4to.:—“Yee haue beene either eare or eye-witnesses or both to many madde voiages made of late yeares, both by sea and land, as the trauell to Rome with the returne in certaine daies, the wild morrise to Norrige,” &c. And Brathwait in , &c....