Dress as a Fine Art With Suggestions on Children's Dress

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Language: English
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CHAPTER I.

DESCRIPTION OF HEAD-DRESSES.

Fig. 1 is a front view of a head-dress of Lady Arderne, (who died about the middle of the fifteenth century.) The caul of the head-dress is richly embroidered, the veil above being supported by wires, in the shape of a heart, with double lappets behind the head, which are sometimes transparent, as if made of gauze.

Such gauze veils, or rather coverings for the head-dress, are frequently seen in the miniatures of MSS. Figs. 2, 3, are here selected from the royal MS. In Fig. 3, the steeple head-dress of the lady is entirely covered by a thin veil of gauze, which hangs from its summit, and projects over her face. Fig. 2 has a sort of hat, widening from its base, and made of cloth of gold, richly set with stones. Such jewelled head-dresses are represented on the heads of noble ladies, and are frequently ornamented in the most beautiful manner, with stones of various tints.

The slab to the memory of John Rolestone, Esq., sometime Lord of Swarston, and Sicili, his wife, in Swarkstone Church, Derbyshire, who died in 1482, gives the head-dress of the said Sicili as represented in Fig. 6. It is a simple cap, radiating in gores over the head, having a knob in its centre and a close falling veil of cloth affixed round the back. It seems to have been constructed as much for comfort as for show: the same remark may be applied to Fig. 4, which certainly cannot be recommended for its beauty, being a stunted cone, with a back veil closely fitting about the neck, and very sparingly ornamented; it was worn by Mary, wife of John Rolestone, who died in 1485. These may both have been plain country ladies, far removed from London, and little troubled with its fashionable freaks. Fig. 5 represents the fashionable head-dress of the last days of the house of York. It has been termed the heart-shaped head-dress, from the appearance it presents when viewed in front, which resembles that of a heart, and sometimes a crescent. It is made of black silk or velvet, ornamented with gold studs, and having a jewel over the forehead. It has a long band or lappet, such as the gentlemen then wore affixed to their hats. Figs. 7 and 8 represent head-dresses worn in the time of Henry VIII. These are a sort of cap, which seem to combine coverchief and hood. Fig. 7 was at this time the extreme of fashion. It is edged with lace, and ornamented with jewelry, and has altogether a look of utter unmeaningness and confusion of form. Fig. 8 has a hood easier of comprehension, but no whit better in point of elegance than her predecessors; it fits the head closely, having pendent jewels round the bottom and crossing the brow. Figs. 9 and 11 are hats of a very simple style, such as were worn during the reign of George II., when an affected simplicity, or milk-maiden look, was coveted by the ladies, both high and low. The hood worn by Fig. 10 was a complete envelope for the head, and was used in riding, or travelling, as well as in walking in the parks. These were called Nithsdales, because Lady Nithsdale covered her husband's face with one of them, after dressing him in her clothes, and thus disguised he escaped from the Tower....