Anne

Excerpt

Chapter I.

"Heaven lies about us in our infancy!Shades of the prison-house begin to closeUpon the growing boy;But he beholds the light, and whence it flows,He sees it in his joy.The youth who daily farther from the EastMust travel, still is Nature's priest,And by the vision splendidIs on his way attended;At length the man perceives it die away,And fade into the light of common day."—Wordsworth.

"It is but little we can do for each other. We accompany the youth with sympathy and manifold old sayings of the wise to the gate of the arena, but it is certain that not by strength of ours, or by the old sayings, but only on strength of his own, unknown to us or to any, he must stand or fall."—Emerson.

"Does it look well, father?"

"What, child?"

"Does this look well?"

William Douglas stopped playing for a moment, and turned his head toward the speaker, who, standing on a ladder, bent herself to one side, in order that he might see the wreath of evergreen, studded with cones, which she had hung on the wall over one of the small arched windows.

"It is too compact, Anne, too heavy. There should be sprays falling from it here and there, like a real vine. The greenery, dear, should be either growing naturally upward or twining; large branches standing in the corners like trees, or climbing vines. Stars, stiff circles, and set shapes should be avoided. That wreath looks as though it had been planed by a carpenter."

"Miss Lois made it."

"Ah," said William Douglas, something which made you think of a smile, although no smile was there, passing over his face, "it looks like her work; it will last a long time. And there will be no need to remove it for Ash-Wednesday, Anne; there is nothing joyous about it."

"I did not notice that it was ugly," said the girl, trying in her bent posture to look at the wreath, and bringing one eye and a portion of anxious forehead to bear upon it.

"That is because Miss Lois made it," replied William Douglas, returning to his music.

Anne, standing straight again, surveyed the garland in silence. Then she changed its position once or twice, studying the effect. Her figure, poised on the round of the ladder, high in the air, was, although unsupported, firm. With her arms raised above her head in a position which few women could have endured for more than a moment, she appeared as unconcerned, and strong, and sure of her footing, as though she had been standing on the floor. There was vigor about her and elasticity, combined unexpectedly with the soft curves and dimples of a child. Viewed from the floor, this was a young Diana, or a Greek maiden, as we imagine Greek maidens to have been. The rounded arms, visible through the close sleeves of the dark woollen dress, the finely moulded wrists below the heavy wreath, the lithe, natural waist, all belonged to a young goddess. But when Anne Douglas came down from her height, and turned toward you, the idea vanished. Here was no goddess, no Greek; only an American girl, with a skin like a peach....