INTRODUCTION The present work completes a series of fictitious narratives, intended to illustrate the manners of Scotland at three different periods. Waverley embraced the age of our fathers, Guy Mannering that of our own youth, and the Antiquary refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal personages in the class of society... more...

INTRODUCTION TO THE BRIDE OF LAMMERMOOR THE Author, on a former occasion, declined giving the real source from which he drew the tragic subject of this history, because, though occurring at a distant period, it might possibly be unpleasing to the feelings of the descendants of the parties. But as he finds an account of the circumstances given in the Notes to Law's Memorials, by his ingenious... more...

INTRODUCTION. As I may, without vanity, presume that the name and official description prefixed to this Proem will secure it, from the sedate and reflecting part of mankind, to whom only I would be understood to address myself, such attention as is due to the sedulous instructor of youth, and the careful performer of my Sabbath duties, I will forbear to hold up a candle to the daylight, or to point out... more...

CHAPTER FIRST And hurry, hurry, off they rode,As fast as fast might be;Hurra, hurra, the dead can ride,Dost fear to ride with me?Burger. There is one advantage in an accumulation of evils, differing in cause and character, that the distraction which they afford by their contradictory operation prevents the patient from being overwhelmed under either. I was deeply grieved at my separation from Miss... more...

Preface When I first saw Mr. Osgood's beautiful illustrated edition of The Lady of the Lake, I asked him to let me use some of the cuts in a cheaper annotated edition for school and household use; and the present volume is the result. The text of the poem has given me unexpected trouble. When I edited some of Gray's poems several years ago, I found that they had not been correctly printed for... more...