GENERAL PREFACE TO THE WAVERLEY NOVELS And must I ravel outMy weaved-up follies?                       Richard II, Act IV. Having undertaken to give an Introductory Account of the compositions which are here offered to the public, with Notes and Illustrations, the Author, under whose name they are now for the first time collected, feels that he has the delicate task of speaking... more...

INTRODUCTION TO THE BRIDE OF LAMMERMOOR THE Author, on a former occasion, declined giving the real source from which he drew the tragic subject of this history, because, though occurring at a distant period, it might possibly be unpleasing to the feelings of the descendants of the parties. But as he finds an account of the circumstances given in the Notes to Law's Memorials, by his ingenious... more...

CHAPTER FIRST. Isab.—Alas! what poor ability's in meTo do him good?Lucio.—Assay the power you have.Measure for Measure. When Mrs. Saddletree entered the apartment in which her guests had shrouded their misery, she found the window darkened. The feebleness which followed his long swoon had rendered it necessary to lay the old man in bed. The curtains were drawn around him, and Jeanie sate... more...

INTRODUCTION TO THE TALISMAN. The "Betrothed" did not greatly please one or two friends, who thought that it did not well correspond to the general title of "The Crusaders." They urged, therefore, that, without direct allusion to the manners of the Eastern tribes, and to the romantic conflicts of the period, the title of a "Tale of the Crusaders" would resemble the playbill,... more...

CHAPTER FIRST. Whoe'er's been at Paris must needs know the Gre've,The fatal retreat of the unfortunate brave,Where honour and justice most oddly contribute,To ease heroes' pains by an halter and gibbet. There death breaks the shackles which force had put on,And the hangman completes what the judge but began;There the squire of the poet, and knight of the post,Find their pains no... more...

CHAPTER I. You are fond (said my aunt) of sketches of the society which has passed away. I wish I could describe to you Sir Philip Forester, the "chartered libertine" of Scottish good company, about the end of the last century. I never saw him indeed; but my mother's traditions were full of his wit, gallantry, and dissipation. This gay knight flourished about the end of the seventeenth and... more...

CHAPTER FIRST. Go call a coach, and let a coach be called,And let the man who calleth be the caller;And in his calling let him nothing call,But Coach! Coach! Coach! O for a coach, ye gods!Chrononhotonthologos. It was early on a fine summer's day, near the end of the eighteenth century, when a young man, of genteel appearance, journeying towards the north-east of Scotland, provided himself with a... more...

I. INTRODUCTION TO A LEGEND OF MONTROSE. The Legend of Montrose was written chiefly with a view to place before the reader the melancholy fate of John Lord Kilpont, eldest son of William Earl of Airth and Menteith, and the singular circumstances attending the birth and history of James Stewart of Ardvoirlich, by whose hand the unfortunate nobleman fell. Our subject leads us to talk of deadly feuds, and... more...

In the old Stock of Fife, there was not perhaps an individual whose exertions were followed by consequences of such a remarkable nature as those of Davie Duff, popularly called "The Thane of Fife," who, from a very humble parentage, rose to fill one of the chairs of the magistracy of his native burgh. By industry and economy in early life, he obtained the means of erecting, solely on his own... more...

“‘St. Ronan's Well’ is not so much my favourite as certain of its predecessors,” Lady Louisa Stuart wrote to Scott on March 26, 1824. “Yet still I see the author's hand in it, et c'est tout dire. Meg Dods, the meeting” (vol. i. chap. ix.), “and the last scene between Clara and her brother, are marked with the true stamp, not to be matched or mistaken. Is the Siege of... more...