Sir Walter Scott transmitted from Naples, in February, 1832, an Introduction for CASTLE DANGEROUS; but if he ever wrote one for a second Edition of ROBERT OF PARIS, it has not been discovered among his papers. Some notes, chiefly extracts from the books which he had been observed to consult while dictating this novel, are now appended to its pages; and in addition to what the author had given in the... more...

INTRODUCTION—-(1829) When the author projected this further encroachment on the patience of an indulgent public, he was at some loss for a title; a good name being very nearly of as much consequence in literature as in life. The title of Rob Roy was suggested by the late Mr. Constable, whose sagacity and experience foresaw the germ of popularity which it included. No introduction can be more... more...

It has long been the ambition of the present publishers to offer to the public an ideal edition of the writings of Sir Walter Scott, the great poet and novelist of whom William Hazlitt said, 'His works are almost like a new edition of human nature.' Secure in the belief not only that his writings have achieved a permanent place in the literature of the world, but that succeeding generations... more...

I. INTRODUCTION TO A LEGEND OF MONTROSE. The Legend of Montrose was written chiefly with a view to place before the reader the melancholy fate of John Lord Kilpont, eldest son of William Earl of Airth and Menteith, and the singular circumstances attending the birth and history of James Stewart of Ardvoirlich, by whose hand the unfortunate nobleman fell. Our subject leads us to talk of deadly feuds, and... more...

CHAPTER FIRST. Whoe'er's been at Paris must needs know the Gre've,The fatal retreat of the unfortunate brave,Where honour and justice most oddly contribute,To ease heroes' pains by an halter and gibbet. There death breaks the shackles which force had put on,And the hangman completes what the judge but began;There the squire of the poet, and knight of the post,Find their pains no... more...

CHAPTER FIRST. Isab.—Alas! what poor ability's in meTo do him good?Lucio.—Assay the power you have.Measure for Measure. When Mrs. Saddletree entered the apartment in which her guests had shrouded their misery, she found the window darkened. The feebleness which followed his long swoon had rendered it necessary to lay the old man in bed. The curtains were drawn around him, and Jeanie sate... more...

INTRODUCTION—(1829) The plan of this Edition leads me to insert in this place some account of the incidents on which the Novel of WAVERLEY is founded. They have been already given to the public, by my late lamented friend, William Erskine, Esq. (afterwards Lord Kinneder), when reviewing the 'Tales of My Landlord' for the QUARTERLY REVIEW, in 1817. The particulars were derived by the Critic... more...

CHAPTER FIRST. Isab.—Alas! what poor ability's in meTo do him good?Lucio.—Assay the power you have.Measure for Measure. When Mrs. Saddletree entered the apartment in which her guests had shrouded their misery, she found the window darkened. The feebleness which followed his long swoon had rendered it necessary to lay the old man in bed. The curtains were drawn around him, and Jeanie sate... more...

GENERAL PREFACE TO THE WAVERLEY NOVELS And must I ravel outMy weaved-up follies?                       Richard II, Act IV. Having undertaken to give an Introductory Account of the compositions which are here offered to the public, with Notes and Illustrations, the Author, under whose name they are now for the first time collected, feels that he has the delicate task of speaking... more...

INTRODUCTION   But why should lordlings all our praise engross?  Rise, honest man, and sing the Man of Ross. Pope Having, in the tale of the Heart of Mid-Lothian, succeeded in some degree in awakening an interest in behalf of one devoid of those accomplishments which belong to a heroine almost by right, I was next tempted to choose a hero upon the same unpromising plan; and as worth of character,... more...