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Walter Scott
INTRODUCTION TO CHRONICLES OF THE CANONGATE. The preceding volume of this Collection concluded the last of the pieces originally published under the NOMINIS UMBRA of The Author of Waverley; and the circumstances which rendered it impossible for the writer to continue longer in the possession of his incognito were communicated in 1827, in the Introduction to the first series of Chronicles of the...
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by:
Walter Scott
CHAPTER FIRST. How have I sinn'd, that this afflictionShould light so heavy on me? I have no more sons,And this no more mine own.—My grand curseHang o'er his head that thus transformed thee!—Travel? I'll send my horse to travel next.Monsieur Thomas. You have requested me, my dear friend, to bestow some of that leisure, with which Providence has blessed the decline of my life, in...
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by:
Walter Scott
CHAPTER FIRST. Isab.—Alas! what poor ability's in meTo do him good?Lucio.—Assay the power you have.Measure for Measure. When Mrs. Saddletree entered the apartment in which her guests had shrouded their misery, she found the window darkened. The feebleness which followed his long swoon had rendered it necessary to lay the old man in bed. The curtains were drawn around him, and Jeanie sate...
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by:
Walter Scott
From what is said in the Introduction to the Monastery, it must necessarily be inferred, that the Author considered that romance as something very like a failure. It is true, the booksellers did not complain of the sale, because, unless on very felicitous occasions, or on those which are equally the reverse, literary popularity is not gained or lost by a single publication. Leisure must be allowed for...
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by:
Walter Scott
INTRODUCTION The present work completes a series of fictitious narratives, intended to illustrate the manners of Scotland at three different periods. Waverley embraced the age of our fathers, Guy Mannering that of our own youth, and the Antiquary refers to the last ten years of the eighteenth century. I have, in the two last narratives especially, sought my principal personages in the class of society...
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Walter Scott
APPENDIX NO. I. THE WOODSTOCK SCUFFLE; or, Most dreadfull apparitions that were lately seene in the Mannor-house of Woodstock, neere Oxford, to the great terror and the wonderful amazement of all there that did behold them. It were a wonder if one unites,And not of wonders and strange sights;For ev'ry where such things affrightsPoore people, That men are ev'n at their wits' end;God...
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by:
Walter Scott
As I may, without vanity, presume that the name and official description prefixed to this Proem will secure it, from the sedate and reflecting part of mankind, to whom only I would be understood to address myself, such attention as is due to the sedulous instructor of youth, and the careful performer of my Sabbath duties, I will forbear to hold up a candle to the daylight, or to point out to the...
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by:
Walter Scott
INTRODUCTION But why should lordlings all our praise engross? Rise, honest man, and sing the Man of Ross. Pope Having, in the tale of the Heart of Mid-Lothian, succeeded in some degree in awakening an interest in behalf of one devoid of those accomplishments which belong to a heroine almost by right, I was next tempted to choose a hero upon the same unpromising plan; and as worth of character,...
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Walter Scott
“‘St. Ronan's Well’ is not so much my favourite as certain of its predecessors,” Lady Louisa Stuart wrote to Scott on March 26, 1824. “Yet still I see the author's hand in it, et c'est tout dire. Meg Dods, the meeting” (vol. i. chap. ix.), “and the last scene between Clara and her brother, are marked with the true stamp, not to be matched or mistaken. Is the Siege of...
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Walter Scott
DARSIE LATIMER TO ALAN FAIRFORDDUMFRIES.CUR ME EXANIMAS QUERELIS TUIS? In plain English, Why do you deafen me with your croaking? The disconsolate tone in which you bade me farewell at Noble House, [The first stage on the road from Edinburgh to Dumfries via Moffat.] and mounted your miserable hack to return to your law drudgery, still sounds in my ears. It seemed to say, 'Happy dog! you can ramble...
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