LADY GAY'S SELECTIONS. Yacht "Ibex," Weymouth. DEAR MR. PUNCH, Once again "my foot is on my native heath."—(I don't know where this quotation comes from, but presume the author of it had lost a leg, or he would have placed his feet there—or else he must have had one leg shorter than the other, and so couldn't put both down at once!)—and heartily glad I am to be... more...

DRURIOLANUS IN (MUSIC) AULIS. The Augustan Age is to be revived at the new Palace Theatre of Varieties, late CARTE's English Opera House, for two of the imperial name of AUGUSTUS are foremost among the Directors of this new enterprise—which word "enterprise" is preferable to "undertaking." Sir AUGUSTUS leads; and GEORGIUS AUGUSTUS follows in the cast as Second Director,—with or... more...

TWO-PENN'ORTH OF THEOSOPHY. (A Sketch at the Islington Arcadia.) SCENE—The Agricultural Hall. A large Steam-Circus is revolving with its organ in full blast; near it is a "Razzle-Dazzle" Machine, provided with a powerful mechanical piano. To the combined strains of these instruments, the merrier hearts of Islington are performing a desultory dance, which seems to consist chiefly in the... more...

AD PUELLAM. ["Detective cameras have become favourite playthings with ladies of fashion."—Ladies' Paper.] You used to prate of plates and prints And "quick developers" before, In spite of not unfrequent hints That these in time become a bore; But then this photographic craze Seemed little but a foolish fad, While now its very latest phase Appears to me distinctly bad. Since even... more...

'ARRY ON WHEELS.Our 'Arry Laureate.DEAR CHARLIE,—Spring's on us at last, and a proper old April we've 'ad, Though the cold snap as copped us at Easter made 'oliday makers feel mad. Rum cove that old Clerk o' the Weather; seems somehow to take a delight In mucking Bank 'Oliday biz; seems as though it was out of sheer spite. When we're fast with our nose to... more...

VENICE RESERVED. (A Sketch from a Numbered Stall at Olympia.) On the Stage, the Scene represents "A Public Place before the Arsenal," where a number of artisans are apparently busily engaged in making horse-shoes on cold anvils in preparation for the launch of "The Adriatica." On extreme R. enter Antonio, who expresses commercial embarrassment by going through a sort of dumb-bell... more...

MORE THAN SATISFIED! (With Mr. Punch's apologies to the Daily Telegraph's "Academic Enthusiast.") "She-Pantaloons? seedy? Now, do we look like it?" The speaker was a tall, robust maiden with fair hair; on her knee was an edition (without notes) of the Anabasis of Xenophon, and by her side was Liddell and Scott's Lexicon, in which she had just been tracking an... more...

No. IX.—THE DUFFER DEER-STALKING. I am in favour of Mr. BRYCE's Access to Mountains Bill, and of Crofters who may be ambitious to cultivate the fertile slopes of all the Bens in Scotland. In fact, I am in favour of anything that will, or may, interfere with the tedious toil of Deer-stalking. Mr. BRYCE's Bill, I am afraid, will do no good. People want Access to Mountains when they cannot get... more...

HOSPITALITY À LA MODE. ["Programmes and introductions are going out of fashion at balls."—Weekly Paper.] SCENE—Interior of a Drawing-room during a dance. Sprightly Damsel disengaged looking out for a partner. She addresses cheerful-looking Middle-aged Gentleman, who is standing near her. She. I am not quite sure whether I gave you this waltz? He. Nor I. But I hope you did. I am afraid it... more...

DOING THE OLD MASTERS. (A Sketch at Burlington House.) IN GALLERY NO. I. The Usual Elderly Lady (who judges every picture solely by its subject). "No. 9. Portrait of Mrs. BRYANSTON of Portman. By GAINSBOROUGH." I don't like that at all. Such a disagreeable expression! I can't think why they exhibit such things. I'm sure there's no pleasure in looking at them! Her Companion... more...