CHAPTER I. We were in mid-ocean. Over the vast expanses of the oily sea no ripple was to be seen although Captain BABBIJAM kept his binoculars levelled at the silent horizon for three-quarters of an hour by the saloon clock. Far away in the murky distance of the mysterious empyrean, a single star flashed with a weird brilliance down upon the death-like stillness of the immemorial ocean. Yet the good... more...

CHAPTER I. The iceberg was moving. There was no doubt of it. Moving with a terrible sinuous motion. Occasionally an incautious ironclad approached like a foolish hen, and pecked at the moving mass. Then there was a slight crash, followed by a mild convulsion of masts, and spars, and iron-plates, and 100-ton guns, then two or three gurgles and all was still. The iceberg passed on smiling in triumph, and... more...

CHAPTER I. I was asleep and dreaming—dreaming dreadful, horrible, soul-shattering dreams—dreams that flung me head-first out of bed, and then flung me back into bed off the uncarpeted floor of my chamber. But I did not wake—why should I?—it was unnecessary—I wanted to dream—I had to dream and therefore I dreamt. I was walking home from a cheap restaurant in one of the poorer quarters of... more...

MODERN TYPES. (By Mr. Punch's Own Type Writer.) No. XXIII.—THE TOLERATED HUSBAND. It is customary for the self-righteous moralists who puff themselves into a state of Jingo complacency over the failings of foreign nations, to declare with considerable unction that the domestic hearth, which every Frenchman habitually tramples upon, is maintained in unviolated purity in every British household.... more...

WHAT IT MAY COME TO! SCENE—The Central Criminal Court. The usual Company assembled, and the place wearing its customary aspect. "Standing room only" everywhere, except in the Jury Box, which is empty. Prisoner at the Bar. Judge. This is most annoying! Owing to the refusal of the Jury to serve, the time of the Bar, the Bench, and, I may even add, the prisoner, is wasted! I really don't... more...

ACT I. A Room tastefully filled with cheap Art-furniture. Gimcracks in an étagère; a festoon of chenille monkeys hanging from the gaselier. Japanese fans, skeletons, cotton-wool spiders, frogs, and lizards, scattered everywhere about. Drain-pipes with tall dyed grasses. A porcelain stove decorated with transferable pictures. Showily-bound books in book-case. Window. The Visitors' bell rings in... more...

ACT I.SCENE—A Sitting-room cheerfully decorated in dark colours. Broad doorway, hung with black crape, in the wall at back, leading to a back Drawing-room, in which, above a sofa in black horsehair, hangs a posthumous portrait of the lateGeneral GABLER.On the piano is a handsome pall. Through the glass panes of the back Drawing-room window are seen a dead wall and a cemetery. Settees, sofas, chairs,... more...

Characters. Jack Parker ("was a cruel boy, For mischief was his sole employ." Vide Miss Jane Taylor.) Miss Lydia Banks ("though very young, Will never do what's rude or wrong."—Ditto.)Farmer Banks}By the BrothersGriffiths.Farmer Banks's BullChorus of Farm Hands. Scene—A Farmyard. R. a stall, from which the head of the Bull is visible above the half-door. Enter Farmer Banks... more...

'ARRY ON EQUALITY. Dear Charlie,—Bin down as a dab with that dashed heppydemick, dear boy. I 'ave bloomin' nigh sneezed my poor head orf. You know that there specie of toy Wot they call cup-and-ball! That's me, Charlie! My back seemed to open and shut, As the grippe-demon danced on my innards, and played pitch-and-toss with my nut. Hinfluenza be blowed! It licks hague and cholera... more...

A CRIMINAL TYPE. To-day I am MAKing aN inno6£vation. as you mayalready have gessed, I am typlng this article myself Zz½lnstead of writing it, The idea is to save time and exvBKpense, also to demonstyap demonBTrike= =damn, to demonstratO that I can type /ust as well as any blessedgirl 1f I give my mInd to iT"" Typlng while you compose is realy extraoraordinarrily easy, though composing... more...