OUR ARTISTS IN ITALY. HIRAM POWERS. Antique Art, beside affording a standard by which the modern may be measured, has the remarkable property-giving it a higher value—of testing the genuineness of the Art-impulse. Even to genius, that is, to the artist, a true Art-life is difficult of attainment. In the midst of illumination, there is the mystery: the subjective mystery, out of which issue the... more...

CHAPTER I INTRODUCTORY The hints which it is the object of this volume to convey are not meant for experienced archaeologists. They are rather addressed to those who, while anxious to observe and record the antiquities which they may see on their travels, are likely, owing to lack of training, to miss things that may be of importance, or, having observed them, to bring home an imperfect record. It is... more...

A WISE WARNING. Dædalus Bismarck (Political Parent of Wilhelm Icarus). "My son, observe the middle path to fly, And fear to sink too low, or rise too high. Here the sun melts, there vapours damp your force, Between the two extremes direct your course. "Nor on the bear, nor on boötes gaze, Nor on sword-arm'd orion's dangerous rays: But follow me, thy guide, with watchful sight, And,... more...

THE NAVAL FORGES AND STEEL WORKS AT ST. CHAMOND. With the idyls and historic or picturesque subjects that the Universal Exposition gives us the occasion to publish, we thought we would make a happy contrast by selecting a subject of a different kind, by presenting to our readers Mr. Layraud's fine picture, which represents the gigantic power hammer used at the St. Chamond Forges and Steel Works in... more...

CONSTANTINE.One of the most interesting and amusing episodes in our many Mediterranean and North African wanderings was a visit to the Sahara. Although we penetrated but a short distance into the Great Desert, we were there introduced to aspects of Nature and to phases of life wholly new and strange to us. We had been spending the winter in Algiers, and were unwilling to return to Europe without seeing... more...

A STRAWBERRY-HILL GEM. "Pour qui se donne la peine de chercher, il y a toujours quelque trouvaille à faire, même dans ce qui a été le plus visité.—Henry Patin. I take up a work of European celebrity, and reflect awhile on its bibliographic peculiarities—which may almost pass for romance. It is a Scottish work with regard to the family connexion of its author: it is an Irish work with... more...

The First Comfort of Matrimony.Happy were Man, when born as free as Air,Did he that freedom as he ought, prefer;But the first Thing he sets his Heart upon,Is to be Married, and to be undone:On some youngGirlhe casts his wanton Eyes,And wooes her with fine Complements and Toys.But that's not all—he grows in Love at last,And is impatient till those Joys he taste:Nor do's the wishing Virgin... more...

ACT. II.—Scene—Same as in Act I.; viz., the Morning-room at Natterjack Hall. Evening of same day. Enter Blethers. Blethers. Another of Sir Poshbury's birthdays almost gone—and my secret still untold! (Dodders.) I can't keep it up much longer ... Ha, here comes his Lordship—he does look mortal bad, that he do! Miss Verbena ain't treated him too well, from all I can hear, poor... more...

THE ROMANTIC PHILOSOPHERS—FICHTE, SCHELLING, AND SCHLEIERMACHER By FRANK THILLY, PH.D., LL.D. Professor of Philosophy, CornellUniversity The Enlightenment of the eighteenth century had implicit faith in the powers of human reason to reach the truth. With its logical-mathematical method it endeavored to illuminate every nook and corner of knowledge, to remove all obscurity, mystery, bigotry, and... more...

"VERSAILLES" IN LEICESTER SQUARE. (Or, the New Ballet at the Empire, as it appears through Mr. Punch's Pince-nez.) TABLEAU I.—The Park at Versailles. "Gardeners," according to the "Argument" supplied with programmes, "are seen busily preparing for the arrival of King Louis the Fourteenth and his Court." If tickling the gravel gently with brooms, and depositing one... more...