The Siamese Twins. The Engraving is an accurate sketch of this extraordinary lusus naturae, which promises to occupy the attention of the whole Town, and has already excited no ordinary curiosity among all ranks of the scientific and sight-loving. Deviations from the usual forms of nature are almost universally offensive; but, in this case, neither the personal appearance of the boys, nor the... more...

BYZANTINE-ROMANESQUE DOORWAYS IN SOUTHERN ITALY. The illustrations chosen for this issue are all from the Byzantine Romanesque work in the province of Apulia, that portion of Southern Italy familiar in school-boy memory as the heel of the boot. Writers upon architecture have found it difficult to strictly classify the buildings of this neighborhood, as in fact is the case with most of the medieval... more...

THE SHEPHERD-BOY.BY EMILY S. OAKEY.Little Roy led his sheep down to pasture,And his cows, by the side of the brook;But his cows never drank any water,And his sheep never needed a crook.For the pasture was gay as a garden,And it glowed with a flowery red;But the meadows had never a grass-blade,And the brooklet—it slept in its bed;And it lay without sparkle or murmur,Nor reflected the blue of the... more...

NOTES NICHOLAS BRETON. Like Mr. COLLIER (No. 23. p. 364.), I have for many years felt "a peculiar interest about Nicholas Breton," and an anxious desire to learn something more of him, not only from being a sincere lover of many of his beautiful lyrical and pastoral poems, as exhibited in England's Helicon, Davison's Poetical Rhapsodie, and other numerous works of his own, and from... more...

NOBODY'S DOG. NLY a dirty black-and-white dog!You can see him any day,Trotting meekly from street to street:He almost seems to say,As he looks in your face with wistful eyes,"I don't mean to be in your way." His tail hangs drooping between his legs;His body is thin and spare:How he envies the sleek and well-fed dogs,That thrive on their masters' care!And he wonders what they must... more...

THE DRAMATIC ELEMENT IN THE BIBLE. We say dramatic element in the Bible, not dramatic element of the Bible, since that of which we speak is not essential, but incidental; it is an aspect of the form of the book, not an attribute of its inspiration. By the use of the term dramatic in this connection, let us, in the outset, be understood to have no reference whatever to the theatre and stage-effect, or... more...

A 'BUS 'OSS'S MEMS. (Kept during a recent Social Crisis.) Saturday, June 6, 11 P.M.—Home after our last turn. Fancy from several drinks had on the way, and the pace we had to put into that last mile and a half, that something's up. Turned into stall nice and comfortable, as usual. Sunday.—Something is up with a vengeance. Hoorooh! We're on strike. I don't know the... more...

VOCES POPULI. AT A MUSIC HALL. SCENE—The Auditorium of a Music Hall, the patrons of which are respectable, but in no sense "smart." The occupants of the higher-priced seats appear to have dropped in less for the purpose of enjoying the entertainment than of discussing their private affairs—though this does not prevent them from applauding everything with generous impartiality. The Chairman.... more...

The Fortune Playhouse   The Engraving represents one of the playhouses of Shakspeare's time, as the premises appeared a few years since. This theatre was in Golden Lane, Barbican, and was built by that celebrated and benevolent actor Edward Alleyn, the pious founder of Dulwich College, in 1599. It was burnt in 1624, but rebuilt in 1629. A story is told of a large treasure being found in digging... more...

CLAUDINE'S DOVES. BY MRS. E. W. LATIMER. A few days since, as I was driving in the Bois de Boulogne with a friend, a slender, sweet young girl was pointed out to me. She was walking beside her mother, and there was a loving, tender look in her blue eyes, a shrinking modesty in her deportment, which interested me at the first glance. She was apparently about fifteen. I observed to the friend who... more...