TIME'S REVIEW OF CHARACTER.   ROBESPIERRE. Some characters are a puzzle to history, and none is more so than that of Robespierre. According to popular belief, this personage was a blood-thirsty monster, a vulgar tyrant, who committed the most unheard-of enormities, with the basely selfish object of raising himself to supreme power—of becoming the Cromwell of the Revolution. Considering that... more...

FORCED BENEFITS.   The maxim, that men may safely be left to seek their own interest, and are sure to find it, appears to require some slight qualification, for nothing can be more certain, than that men are often the better of things which have been forced upon them. Those who advocate the idea in its rigour, forget that there are such things as ignorance and prejudice in the world, and that most men... more...

PRONOUNCERS.   Do you not find, in almost every company, one who pronounces decisively upon every matter which comes in question? His voice is loud and firm, his eye bold and confident, and his whole manner oracular. No cold hesitations as to points of fact ever tease him. Little time does he require to make up his mind on any speculative subject. He is all yes or all no at once and without appeal.... more...

THE MUSICAL SEASON.   'The English are not a musical people.' The dictum long stood unquestioned, and, in general estimation, unquestionable. All the world had agreed upon it. There could be no two opinions: we had no national airs; no national taste; no national appreciation of sweet sounds; musically, we were blocks! At length, however, the creed began to be called in question—were we so... more...

THE MARTYR SEX.   Ever since that unfortunate affair in which the mother of mankind was so prominently concerned, the female sex might say, with Shylock, 'Sufferance is the badge of all our tribe.' They are, in fact, an incarnation of the Passive Voice—no mistake about it. 'Ah, gentle dames, it gars me greet,' as Burns pathetically says, to think on all the hardships and... more...