CHAPTER I. THE CROWN PRINCE RUNS AWAY The Crown Prince sat in the royal box and swung his legs. This was hardly princely, but the royal legs did not quite reach the floor from the high crimson-velvet seat of his chair. Prince Ferdinand William Otto was bored. His royal robes, consisting of a pair of blue serge trousers, a short Eton jacket, and a stiff, rolling collar of white linen, irked him. He had... more...

CHAPTER I The old stucco house sat back in a garden, or what must once have been a garden, when that part of the Austrian city had been a royal game preserve. Tradition had it that the Empress Maria Theresa had used the building as a hunting-lodge, and undoubtedly there was something royal in the proportions of the salon. With all the candles lighted in the great glass chandelier, and no sidelights, so... more...

I The stage on which we play our little dramas of life and love has for most of us but one setting. It is furnished out with approximately the same things. Characters come, move about and make their final exits through long-familiar doors. And the back drop remains approximately the same from beginning to end. Palace or hovel, forest or sea, it is the background for the moving figures of the play. So... more...

So many unkind things have been said of the affair at Morris Valley that I think it best to publish a straightforward account of everything. The ill nature of the cartoon, for instance, which showed Tish in a pair of khaki trousers on her back under a racing-car was quite uncalled for. Tish did not wear the khaki trousers; she merely took them along in case of emergency. Nor was it true that Tish took... more...

CHAPTER I THE SUB-DEB: A THEME WRITTEN AND SUBMITTED IN LITERATURE CLASS BY BARBARA PUTNAM ARCHIBALD, 1917.DEFINITION OF A THEME:A theme is a piece of writing, either true or made up by the author, and consisting of Introduction, Body and Conclusion. It should contain Unity, Coherence, Emphasis, Perspecuity, Vivacity, and Presision. It may be ornamented with dialogue, discription and choice... more...

SENTIMENT AND CLUES In my criminal work anything that wears skirts is a lady, until the law proves her otherwise. From the frayed and slovenly petticoats of the woman who owns a poultry stand in the market and who has grown wealthy by selling chickens at twelve ounces to the pound, or the silk sweep of Mamie Tracy, whose diamonds have been stolen down on the avenue, or the staidly respectable black and... more...

I am not a susceptible woman. I am objective rather than subjective, and a fairly full experience of life has taught me that most of my impressions are from within out rather than the other way about. For instance, obsession at one time a few years ago of a shadowy figure on my right, just beyond the field of vision, was later exposed as the result of a defect in my glasses. In the same way Maggie, my... more...

The rather extraordinary story revealed by the experiments of the Neighborhood Club have been until now a matter only of private record. But it seems to me, as an active participant in the investigations, that they should be given to the public; not so much for what they will add to the existing data on psychical research, for from that angle they were not unusual, but as yet another exploration into... more...

CHAPTER I The city turned its dreariest aspect toward the railway on blackened walls, irregular and ill-paved streets, gloomy warehouses, and over all a gray, smoke-laden atmosphere which gave it mystery and often beauty. Sometimes the softened towers of the great steel bridges rose above the river mist like fairy towers suspended between Heaven and earth. And again the sun tipped the surrounding hills... more...

CHAPTER I Natalie Spencer was giving a dinner. She was not an easy hostess. Like most women of futile lives she lacked a sense of proportion, and the small and unimportant details of the service absorbed her. Such conversation as she threw at random, to right and left, was trivial and distracted. Yet the dinner was an unimportant one. It had been given with an eye more to the menu than to the guest... more...