James Branch Cabell

AN INTRODUCTION by Wilson Follett Mr. Cabell, in making ready this second or intended edition of THE CORDS OF VANITY, performs an act of reclamation which is at the same time an act of fresh creation. For the purely reclamatory aspect of what he has done, his reward (so far as that can consist in anything save the doing) must come from insignificantly few directions; so few indeed that he, with a wrily... more...

AUCTORIAL INDUCTION WHICH (AFTER SOME BRIEF DISCOURSE OF FIRES AND FRYING-PANS) ELUCIDATES THE INEXPEDIENCY OF PUBLISHING THIS BOOK, AS WELL AS THE NECESSITY OF WRITING IT: AND THENCE PASSES TO A MODEST DEFENSE OF MORE VITAL THEMES. The desire to write perfectly of beautiful happenings is, as the saying runs, old as the hills—and as immortal. Questionless, there was many a serviceable brick wasted in... more...

I THE STORY OF THE SESTINA “Armatz de fust e de fer e d’acier, Mos ostal seran bosc, fregz, e semdier, E mas cansos sestinas e descortz, E mantenrai los frevols contra ’ls fortz.”THE FIRST NOVEL.—ALIANORA OF PROVENCE, COMING IN DISGUISE AND IN ADVERSITY TO A CERTAIN CLERK, IS BY HIM CONDUCTED ACROSS A HOSTILE COUNTRY; AND IN THAT TROUBLED JOURNEY ARE MADE MANIFEST TO EACH THE SNARES WHICH HAD... more...

PART ONE - PROPINQUITY   "A singer, eh?… Well, well! but when he sings  Take jealous heed lest idiosyncrasies  Entinge and taint too deep his melodies;  See that his lute has no discordant strings  To harrow us; and let his vaporings  Be all of virtue and its victories,  And of man's best and noblest qualities,  And scenery, and flowers, and similar things.... more...

I This is the story of Margaret Hugonin and of the Eagle. And with yourpermission, we will for the present defer all consideration of thebird, and devote our unqualified attention to Margaret. I have always esteemed Margaret the obvious, sensible, mostappropriate name that can be bestowed upon a girl-child, for it is aname that fits a woman--any woman--as neatly as her proper size ingloves. Yes, the... more...

INTRODUCTION These paragraphs, dignified by the revised edition of Gallantry and spuriously designated An Introduction, are nothing more than a series of notes and haphazard discoveries in preparation of a thesis. That thesis, if it is ever written, will bear a title something academically like The Psychogenesis of a Poet; or Cabell the Masquerader. For it is in this guise—sometimes self-declared,... more...

"Nescio quid certè est: et Hylax in limine latrat." A Foreword: Which Asserts Nothing. In Continental periodicals not more than a dozen articles in all would seem to have given accounts or partial translations of the Jurgen legends. No thorough investigation of this epos can be said to have appeared in print, anywhere, prior to the publication, in 1913, of the monumental Synopses of Aryan... more...

It would be absorbing to discover the present feminine attitude toward the profoundest compliment ever paid women by the heart and mind of men in league—the worshipping devotion conceived by Plato and elevated to a living faith in mediaeval France. Through that renaissance of a sublimated passion domnei was regarded as a throne of alabaster by the chosen figures of its service: Melicent, at... more...

ROBERT GAMBLE CABELL I "He loved chivalrye,Trouthe and honour, fredom and curteisye.And of his port as meek as is a mayde,He never yet no vileinye ne saydeIn al his lyf, unto no maner wight.He was a verray parfit gentil knyght." Introduction The Cabell case belongs to comedy in the grand manner. For fifteen years or more the man wrote and wrote—good stuff, sound stuff, extremely original... more...

I How Manuel Left the Mire They of Poictesme narrate that in the old days when miracles were as common as fruit pies, young Manuel was a swineherd, living modestly in attendance upon the miller's pigs. They tell also that Manuel was content enough: he knew not of the fate which was reserved for him. Meanwhile in all the environs of Rathgor, and in the thatched villages of Lower Targamon, he was... more...