James Branch Cabell

I THE STORY OF THE SESTINA “Armatz de fust e de fer e d’acier, Mos ostal seran bosc, fregz, e semdier, E mas cansos sestinas e descortz, E mantenrai los frevols contra ’ls fortz.”THE FIRST NOVEL.—ALIANORA OF PROVENCE, COMING IN DISGUISE AND IN ADVERSITY TO A CERTAIN CLERK, IS BY HIM CONDUCTED ACROSS A HOSTILE COUNTRY; AND IN THAT TROUBLED JOURNEY ARE MADE MANIFEST TO EACH THE SNARES WHICH HAD... more...

It would be absorbing to discover the present feminine attitude toward the profoundest compliment ever paid women by the heart and mind of men in league—the worshipping devotion conceived by Plato and elevated to a living faith in mediaeval France. Through that renaissance of a sublimated passion domnei was regarded as a throne of alabaster by the chosen figures of its service: Melicent, at... more...

I How Manuel Left the Mire They of Poictesme narrate that in the old days when miracles were as common as fruit pies, young Manuel was a swineherd, living modestly in attendance upon the miller's pigs. They tell also that Manuel was content enough: he knew not of the fate which was reserved for him. Meanwhile in all the environs of Rathgor, and in the thatched villages of Lower Targamon, he was... more...

INTRODUCTION These paragraphs, dignified by the revised edition of Gallantry and spuriously designated An Introduction, are nothing more than a series of notes and haphazard discoveries in preparation of a thesis. That thesis, if it is ever written, will bear a title something academically like The Psychogenesis of a Poet; or Cabell the Masquerader. For it is in this guise—sometimes self-declared,... more...

"Nescio quid certè est: et Hylax in limine latrat." A Foreword: Which Asserts Nothing. In Continental periodicals not more than a dozen articles in all would seem to have given accounts or partial translations of the Jurgen legends. No thorough investigation of this epos can be said to have appeared in print, anywhere, prior to the publication, in 1913, of the monumental Synopses of Aryan... more...

MEMOIR OF SÆVIUS NICANOR Saevius Nicanor Marci libertus negabit"She went to the tailor'sTo buy him a coat;When she came backHe was riding the goat." Sævius Nicanor, one of the earliest of the Grammarians, says Suetonius, first acquired fame and reputation by his teaching; and, besides, made commentaries, the greater part of which, however, were said to have been borrowed. He also wrote a... more...

AUCTORIAL INDUCTION WHICH (AFTER SOME BRIEF DISCOURSE OF FIRES AND FRYING-PANS) ELUCIDATES THE INEXPEDIENCY OF PUBLISHING THIS BOOK, AS WELL AS THE NECESSITY OF WRITING IT: AND THENCE PASSES TO A MODEST DEFENSE OF MORE VITAL THEMES. The desire to write perfectly of beautiful happenings is, as the saying runs, old as the hills—and as immortal. Questionless, there was many a serviceable brick wasted in... more...

AN INTRODUCTION by Wilson Follett Mr. Cabell, in making ready this second or intended edition of THE CORDS OF VANITY, performs an act of reclamation which is at the same time an act of fresh creation. For the purely reclamatory aspect of what he has done, his reward (so far as that can consist in anything save the doing) must come from insignificantly few directions; so few indeed that he, with a wrily... more...

I This is the story of Margaret Hugonin and of the Eagle. And with yourpermission, we will for the present defer all consideration of thebird, and devote our unqualified attention to Margaret. I have always esteemed Margaret the obvious, sensible, mostappropriate name that can be bestowed upon a girl-child, for it is aname that fits a woman--any woman--as neatly as her proper size ingloves. Yes, the... more...

Prudence urges me here to forestall detection, by conceding that this brief play has no pretension to "literary" quality. It is a piece in its inception designed for, and in its making swayed by, the requirements of the little theatre stage. The one virtue which anybody anywhere could claim for The Jewel Merchants is the fact that it "acts" easily and rather effectively. And candor... more...