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Humphry Ward
CHAPTER I "Arthur,—what did you give the man?" "Half a crown, my dear! Now don't make a fuss. I know exactly what you're going to say!" "Half a crown!" said Doris Meadows, in consternation. "The fare was one and twopence. Of course he thought you mad. But I'll get it back!" And she ran to the open window, crying "Hi!" to the driver of a taxi-cab,...
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by:
Humphry Ward
CHAPTER I Really, mother, I can't sit any more. I'm that stiff!—and as cold as anything.' So said Miss Bella Morrison, as she rose from her seat with an affected yawn and stretch. In speaking she looked at her mother, and not at the painter to whom she had been sitting for nearly two hours. The young man in question stood embarrassed and silent, his palette on his thumb, brush and...
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by:
Humphry Ward
CHAPTER I 'Let us be quite clear, Aunt Pattie—when does this young woman arrive?' 'In about half an hour. But really, Edward, you need take no trouble! she is coming to visit me, and I will see that she doesn't get in your way. Neither you nor Eleanor need trouble your heads about her.' Miss Manisty—a small elderly lady in a cap—looked at her nephew with a mild and...
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by:
Humphry Ward
CHAPTER I The hands of the clock on the front of the Strangers' Gallery were nearing six. The long-expected introductory speech of the Minister in charge of the new Land Bill was over, and the leader of the Opposition was on his feet. The House of Commons was full and excited. The side galleries were no less crowded than the benches below, and round the entrance-door stood a compact throng of...
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by:
Humphry Ward
Chapter I "Not a Britisher to be seen—or scarcely! Well, I can do without 'em for a bit!" And the Englishman whose mind shaped these words continued his leisurely survey of the crowded salon of a Tyrolese hotel, into which a dining-room like a college hall had just emptied itself after the mid-day meal. Meanwhile a German, sitting near, seeing that his tall neighbour had been searching...
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by:
Humphry Ward
A FOREWORD May I ask those of my American readers who are not intimately acquainted with the conditions of English rural and religious life to remember that the dominant factor in it—the factor on which the story of Richard Meynell depends—is the existence of the State Church, of the great ecclesiastical corporation, the direct heir of the pre-Reformation Church, which owns the cathedrals and the...
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