Humphry Ward

Humphry Ward
Mary Augusta Ward, known by her pen name Mrs. Humphry Ward, was a prolific English novelist and social activist of the late 19th and early 20th centuries. She gained fame with her novel "Robert Elsmere" (1888), which explored themes of religious doubt and reform. Ward was also deeply involved in social causes, including education reform and the women's suffrage movement, although she notably opposed granting women the right to vote.

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CHAPTER I EARLY DAYS Do we all become garrulous and confidential as we approach the gates of old age? Is it that we instinctively feel, and cannot help asserting, our one advantage over the younger generation, which has so many over us?—the one advantage of time! After all, it is not disputable that we have lived longer than they. When they talk of past poets, or politicians, or novelists, whom the... more...

I "He ought to be here," said Lady Tranmore, as she turned away from the window. Mary Lyster laid down her work. It was a fine piece of church embroidery, which, seeing that it had been designed for her by no less a person than young Mr. Burne Jones himself, made her the envy of her pre-Raphaelite friends. "Yes, indeed. You made out there was a train about twelve." "Certainly. They... more...

CHAPTER I "Well, now we've done all we can, and all I mean to do," said Alice Hooper, with a pettish accent of fatigue. "Everything's perfectly comfortable, and if she doesn't like it, we can't help it. I don't know why we make such a fuss." The speaker threw herself with a gesture of fatigue into a dilapidated basket-chair that offered itself. It was a spring... more...

CHAPTER I It was the day of the private view at the Royal Academy. The great courtyard of Burlington House was full of carriages, and a continuous stream of guests was pressing up the red-carpeted stairs, over which presided some of the most imposing individuals known to the eyes of Londoners, second only to Her Majesty's beefeaters in glory of scarlet apparel. Inside, however, as it was not yet... more...

Chapter I "Not a Britisher to be seen—or scarcely! Well, I can do without 'em for a bit!" And the Englishman whose mind shaped these words continued his leisurely survey of the crowded salon of a Tyrolese hotel, into which a dining-room like a college hall had just emptied itself after the mid-day meal. Meanwhile a German, sitting near, seeing that his tall neighbour had been searching... more...

CHAPTER I Really, mother, I can't sit any more. I'm that stiff!—and as cold as anything.' So said Miss Bella Morrison, as she rose from her seat with an affected yawn and stretch. In speaking she looked at her mother, and not at the painter to whom she had been sitting for nearly two hours. The young man in question stood embarrassed and silent, his palette on his thumb, brush and... more...

I "Hullo! No!--Yes!--upon my soul, it is Jacob! Why, Delafield, my dear fellow, how are you?" So saying--on a February evening a good many years ago--an elderly gentleman in evening dress flung himself out of his cab, which had just stopped before a house in Bruton Street, and hastily went to meet a young man who was at the same moment stepping out of another hansom a little farther down the... more...

I Two old labourers came out of the lane leading to Great End Farm. Both carried bags slung on sticks over their shoulders. One, the eldest and tallest, was a handsome fellow, with regular features and a delicately humorous mouth. His stoop and his slouching gait, the gray locks also, which straggled from under his broad hat, showed him an old man—probably very near his old-age pension. But he... more...

CHAPTER I "I call this part of the line beastly depressing." The speaker tossed his cigarette-end away as he spoke. It fell on the railway line, and the tiny smoke from it curled up for a moment against the heavy background of spruce as the train receded. "All the same, this is going to be one of the most exciting parts of Canada before long," said Lady Merton, looking up from her... more...

A FOREWORD May I ask those of my American readers who are not intimately acquainted with the conditions of English rural and religious life to remember that the dominant factor in it—the factor on which the story of Richard Meynell depends—is the existence of the State Church, of the great ecclesiastical corporation, the direct heir of the pre-Reformation Church, which owns the cathedrals and the... more...

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