I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that... more...

PREFACE "The Portrait of a Lady" was, like "Roderick Hudson," begun in Florence, during three months spent there in the spring of 1879. Like "Roderick" and like "The American," it had been designed for publication in "The Atlantic Monthly," where it began to appear in 1880. It differed from its two predecessors, however, in finding a course also open to it, from... more...

CHAPTER I. It was at Homburg, several years ago, before the gaming had been suppressed.  The evening was very warm, and all the world was gathered on the terrace of the Kursaal and the esplanade below it to listen to the excellent orchestra; or half the world, rather, for the crowd was equally dense in the gaming-rooms around the tables.  Everywhere the crowd was great.  The night was perfect, the... more...

I. She was certainly a singular girl, and if he felt at the end that he did n't know her nor understand her, it is not surprising that he should have felt it at the beginning. But he felt at the beginning what he did not feel at the end, that her singularity took the form of a charm which—once circumstances had made them so intimate—it was impossible to resist or conjure away. He had a strange... more...

CHAPTER I. Rowland Mallet had made his arrangements to sail for Europe on the first of September, and having in the interval a fortnight to spare, he determined to spend it with his cousin Cecilia, the widow of a nephew of his father. He was urged by the reflection that an affectionate farewell might help to exonerate him from the charge of neglect frequently preferred by this lady. It was not that the... more...

I am glad I said to you the other night at Doubleton, inquiring—too inquiring—compatriot, that I wouldn't undertake to tell you the story (about Ambrose Tester), but would write it out for you; inasmuch as, thinking it over since I came back to town, I see that it may really be made interesting. It is a story, with a regular development, and for telling it I have the advantage that I happened... more...

CHAPTER I On a brilliant day in May, in the year 1868, a gentleman was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carre, in the Museum of the Louvre. This commodious ottoman has since been removed, to the extreme regret of all weak-kneed lovers of the fine arts, but the gentleman in question had taken serene possession of its softest spot,... more...

A LONDON LIFE I It was raining, apparently, but she didn't mind—she would put on stout shoes and walk over to Plash. She was restless and so fidgety that it was a pain; there were strange voices that frightened her—they threw out the ugliest intimations—in the empty rooms at home. She would see old Mrs. Berrington, whom she liked because she was so simple, and old Lady Davenant, who was... more...

A SMALL BOY AND OTHERS     I In the attempt to place together some particulars of the early life of William James and present him in his setting, his immediate native and domestic air, so that any future gathered memorials of him might become the more intelligible and interesting, I found one of the consequences of my interrogation of the past assert itself a good deal at the expense of some of the... more...

BLACK AND WHITE If there be nothing new under the sun there are some things a good deal less old than others. The illustration of books, and even more of magazines, may be said to have been born in our time, so far as variety and abundance are the signs of it; or born, at any rate, the comprehensive, ingenious, sympathetic spirit in which we conceive and practise it. If the centuries are ever arraigned... more...